The Private Papers of Henry Ryecroft [43]
would give me a headache in the first quarter of an hour. Non sum qualis eram when I waited several hours at the gallery door to hear Patti, and knew not a moment's fatigue to the end of the concert; or when, at the Academy, I was astonished to find that it was four o'clock, and I had forgotten food since breakfast. The truth is, I do not much enjoy anything nowadays which I cannot enjoy ALONE. It sounds morose; I imagine the comment of good people if they overheard such a confession. Ought I, in truth, to be ashamed of it?
I always read the newspaper articles on exhibitions of pictures, and with most pleasure when the pictures are landscapes. The mere names of paintings often gladden me for a whole day--those names which bring before the mind a bit of seashore, a riverside, a glimpse of moorland or of woods. However feeble his criticism, the journalist generally writes with appreciation of these subjects; his descriptions carry me away to all sorts of places which I shall never see again with the bodily eye, and I thank him for his unconscious magic. Much better this, after all, than really going to London and seeing the pictures themselves. They would not disappoint me; I love and honour even the least of English landscape painters; but I should try to see too many at once, and fall back into my old mood of tired grumbling at the conditions of modern life. For a year or two I have grumbled little--all the better for me.
XXVI
Of late, I have been wishing for music. An odd chance gratified my desire.
I had to go into Exeter yesterday. I got there about sunset, transacted my business, and turned to walk home again through the warm twilight. In Southernhay, as I was passing a house of which the ground-floor windows stood open, there sounded the notes of a piano--chords touched by a skilful hand. I checked my step, hoping, and in a minute or two the musician began to play that nocturne of Chopin which I love best--I don't know how to name it. My heart leapt. There I stood in the thickening dusk, the glorious sounds floating about me; and I trembled with very ecstasy of enjoyment. When silence came, I waited in the hope of another piece, but nothing followed, and so I went my way.
It is well for me that I cannot hear music when I will; assuredly I should not have such intense pleasure as comes to me now and then by haphazard. As I walked on, forgetting all about the distance, and reaching home before I knew I was half way there, I felt gratitude to my unknown benefactor--a state of mind I have often experienced in the days long gone by. It happened at times--not in my barest days, but in those of decent poverty--that some one in the house where I lodged played the piano--and how it rejoiced me when this came to pass! I say "played the piano"--a phrase that covers much. For my own part, I was very tolerant; anything that could by the largest interpretation be called music, I welcomed and was thankful; for even "five-finger exercises" I found, at moments, better than nothing. For it was when I was labouring at my desk that the notes of the instrument were grateful and helpful to me. Some men, I believe, would have been driven frantic under the circumstances; to me, anything like a musical sound always came as a godsend; it tuned my thoughts; it made the words flow. Even the street organs put me in a happy mood; I owe many a page to them--written when I should else have been sunk in bilious gloom.
More than once, too, when I was walking London streets by night, penniless and miserable, music from an open window has stayed my step, even as yesterday. Very well can I remember such a moment in Eaton Square, one night when I was going back to Chelsea, tired, hungry, racked by frustrate passions. I had tramped miles and miles, in the hope of wearying myself so that I could sleep and forget. Then came the piano notes--I saw that there was festival in the house--and for an hour or so I revelled as none of the bidden guests could possibly be doing. And when I reached my poor lodgings, I was
I always read the newspaper articles on exhibitions of pictures, and with most pleasure when the pictures are landscapes. The mere names of paintings often gladden me for a whole day--those names which bring before the mind a bit of seashore, a riverside, a glimpse of moorland or of woods. However feeble his criticism, the journalist generally writes with appreciation of these subjects; his descriptions carry me away to all sorts of places which I shall never see again with the bodily eye, and I thank him for his unconscious magic. Much better this, after all, than really going to London and seeing the pictures themselves. They would not disappoint me; I love and honour even the least of English landscape painters; but I should try to see too many at once, and fall back into my old mood of tired grumbling at the conditions of modern life. For a year or two I have grumbled little--all the better for me.
XXVI
Of late, I have been wishing for music. An odd chance gratified my desire.
I had to go into Exeter yesterday. I got there about sunset, transacted my business, and turned to walk home again through the warm twilight. In Southernhay, as I was passing a house of which the ground-floor windows stood open, there sounded the notes of a piano--chords touched by a skilful hand. I checked my step, hoping, and in a minute or two the musician began to play that nocturne of Chopin which I love best--I don't know how to name it. My heart leapt. There I stood in the thickening dusk, the glorious sounds floating about me; and I trembled with very ecstasy of enjoyment. When silence came, I waited in the hope of another piece, but nothing followed, and so I went my way.
It is well for me that I cannot hear music when I will; assuredly I should not have such intense pleasure as comes to me now and then by haphazard. As I walked on, forgetting all about the distance, and reaching home before I knew I was half way there, I felt gratitude to my unknown benefactor--a state of mind I have often experienced in the days long gone by. It happened at times--not in my barest days, but in those of decent poverty--that some one in the house where I lodged played the piano--and how it rejoiced me when this came to pass! I say "played the piano"--a phrase that covers much. For my own part, I was very tolerant; anything that could by the largest interpretation be called music, I welcomed and was thankful; for even "five-finger exercises" I found, at moments, better than nothing. For it was when I was labouring at my desk that the notes of the instrument were grateful and helpful to me. Some men, I believe, would have been driven frantic under the circumstances; to me, anything like a musical sound always came as a godsend; it tuned my thoughts; it made the words flow. Even the street organs put me in a happy mood; I owe many a page to them--written when I should else have been sunk in bilious gloom.
More than once, too, when I was walking London streets by night, penniless and miserable, music from an open window has stayed my step, even as yesterday. Very well can I remember such a moment in Eaton Square, one night when I was going back to Chelsea, tired, hungry, racked by frustrate passions. I had tramped miles and miles, in the hope of wearying myself so that I could sleep and forget. Then came the piano notes--I saw that there was festival in the house--and for an hour or so I revelled as none of the bidden guests could possibly be doing. And when I reached my poor lodgings, I was