The queen of the damned - Anne Rice [46]
Armand’s lips had moved in a soft, slightly concealed smile. And then his eyes had misted and closed. He had bent close to Daniel, pressed his lips to Daniel’s neck.
And once again, as he had in a little room on Divisadero Street in San Francisco with the vampire Louis, Daniel felt the sharp teeth pierce the surface of his skin. Sudden pain and throbbing warmth. “Are you killing me finally?” He grew drowsy, on fire, filled with love. “Do it, yes.”
But Armand had taken only a few droplets. He’d released Daniel and pressed gently on his shoulders, forcing Daniel down to his knees. Daniel had looked up to see the blood flowing from Armand’s wrist. Great electric shocks had passed through Daniel at the taste of that blood. It had seemed in a flash that the city of Pompeii was full of a whispering, a crying, some vague and pulsing imprint of long-ago suffering and death. Thousands perishing in smoke and ash. Thousands dying together. Together. Daniel had clung to Armand. But the blood was gone. Only a taste—no more.
“You are mine, beautiful boy,” Armand had said.
The following morning when he awoke in bed at the Excelsier in Rome, Daniel knew that he would not run away from Armand ever again. Less than an hour after sunset, Armand came to him. They would go to London now, the car was waiting to take them to the plane. But there was time enough, wasn’t there, for another embrace, another small exchange of blood. “Here from my throat,” Armand had whispered, cradling Daniel’s head in his hand. A fine soundless throbbing. The light of the lamps expanded, brightened, obliterated the room.
Lovers. Yes, it had become an ecstatic and engulfing affair.
“You are my teacher,” Armand told him. “You will tell me everything about this century. I am learning secrets already that have eluded me since the beginning. You’ll sleep when the sun rises, if you wish, but the nights are mine.”
INTO the very midst of life they plunged. At pretense Armand was a genius, and killing early on any given evening, he passed for human everywhere that they went. His skin was burning hot in those early hours, his face full of passionate curiosity, his embraces feverish and quick.
It would have taken another immortal to keep up with him. Daniel nodded off at symphonies and operas or during the hundreds upon hundreds of films that Armand dragged him to see. Then there were the endless parties, the cluttered noisy gatherings from Chelsea to Mayfair where Armand argued politics and philosophy with students, or women of fashion, or anyone who would give him the slightest chance. His eyes grew moist with excitement, his voice lost its soft preternatural resonance and took on the hard human accent of the other young men in the room.
Clothes of all kinds fascinated him, not for their beauty but for what he thought they meant. He wore jeans and sweat shirts like Daniel; he wore cable-knit sweaters and workmen’s brogans, leather windbreakers, and mirrored sunglasses pushed up on his head. He wore tailored suits, and dinner jackets, and white tie and tails when the fancy suited him; his hair was cut short one night so he looked like any young man down from Cambridge, and left curly and long, an angel’s mane, the next.
It seemed that he and Daniel were always walking up four unlighted flights of stairs to visit some painter, sculptor, or photographer, or to see some special never-released yet revolutionary film. They spent hours in the cold-water flats of dark-eyed young women who played rock music and made herbal tea which Armand never drank.
Men and women fell in love with Armand, of course, “so innocent, so passionate, so brilliant!” You don’t say. In fact, Armand’s power