The Quest of the Golden Girl [12]
along the crowded Strand with eyes only for each other; a student deep in his book in the corner of an omnibus; a young mother glowing over the child in her arms; the wild-eyed musician dreamily treading on everybody's toes, and begging nobody's pardon; the pretty little Gaiety Girl hurrying to rehearsal with no thought but of her own sweet self and whether there will be a letter from Harry at the stage- door,--yes, if we are alone in our griefs, we are no less alone in our pleasures. We spin our tops as in an enchanted circle, and no one sees or heeds save ourselves,--as how should they with their own tops to spin? Happy indeed is he, who has his top and cares still to spin it; for to be tired of our tops is to be tired of life, saith the preacher.
As the young gipsy's little holiday came to an end, I turned with a sigh upon my way; and here, while still on the subject, may I remark on the curious fact that probably Borrow has lived and died without a single gipsy having heard of him, just as the expertest anglers know nothing of Izaak Walton.
Has the British soldier, one wonders, yet discovered Rudyard Kipling, or is the Wessex peasant aware of Thomas Hardy? It is odd to think that the last people to read such authors are the very people they most concern. For you might spend your life, say, in studying the London street boy, and write never so movingly and humourously about him, yet would he never know your name; and though Whitechapel makes novelists, it does so without knowing it,--makes them to be read in Mayfair,--just as it never wears the dainty hats and gowns its weary little milliners and seamstresses make through the day and night. It is Capital and Labour over again, for in literature also we reap in gladness what others have sown in tears.
And now, after these admirable reflections, I am about to make such "art" as I can of another man's tragedy, as will appear in the next chapter.
CHAPTER XIII
A STRANGE WEDDING
My moralisings were cut short by my entering a village, and, it being about the hour of noon, finding myself in the thick of a village wedding.
Undoubtedly the nicest way to get married is on the sly, and indeed it is at present becoming quite fashionable. Many young couples of my acquaintance, who have had no other reason for concealing the fact beyond their own whim, have thus slipped off without saying a word to anybody, and returned full-blown housekeepers, with "at home" days of their own, and everything else like real married people,--for, as said an old lady to me, "one can never be sure of married people nowadays unless you have been at the wedding."
My friend George Muncaster, who does everything charmingly different from any one else, hit upon one of the quaintest plans for his marriage. It was simple, and some may say prosaic enough. His days being spent at a great office in the city, he got leave of absence for a couple of hours, met his wife, went with her to the registrar's, returned to his office, worked the rest of the day as usual, and then went to his new home to find his wife and dinner awaiting him,--all just as it was going to be every night for so many happy years. Prosaic, you say! Not your idea of poetry, perhaps, but, after a new and growing fashion in poetry, truly poetic. George Muncaster's marriage is a type of the new poetry, the poetry of essentials. The old poetry, as exemplified in the old-fashioned marriage, is a poetry of externals, and certainly it has the advantage of picturesqueness.
There is perhaps more to be said for it than that. Indeed, if I were ever to get married, I am at a loss to know which way I should choose,--George Muncaster's way or the old merry fashion, with the rice and the old shoes and the orange-blossom. No doubt the old cheery publicity is a little embarrassing to the two most concerned, and the old marriage customs, the singing of the bride and bridegroom to their nuptial couch, the frank jests, the country horse-play, must have fretted the souls of many a lover before Shelley, who, it will be remembered,
As the young gipsy's little holiday came to an end, I turned with a sigh upon my way; and here, while still on the subject, may I remark on the curious fact that probably Borrow has lived and died without a single gipsy having heard of him, just as the expertest anglers know nothing of Izaak Walton.
Has the British soldier, one wonders, yet discovered Rudyard Kipling, or is the Wessex peasant aware of Thomas Hardy? It is odd to think that the last people to read such authors are the very people they most concern. For you might spend your life, say, in studying the London street boy, and write never so movingly and humourously about him, yet would he never know your name; and though Whitechapel makes novelists, it does so without knowing it,--makes them to be read in Mayfair,--just as it never wears the dainty hats and gowns its weary little milliners and seamstresses make through the day and night. It is Capital and Labour over again, for in literature also we reap in gladness what others have sown in tears.
And now, after these admirable reflections, I am about to make such "art" as I can of another man's tragedy, as will appear in the next chapter.
CHAPTER XIII
A STRANGE WEDDING
My moralisings were cut short by my entering a village, and, it being about the hour of noon, finding myself in the thick of a village wedding.
Undoubtedly the nicest way to get married is on the sly, and indeed it is at present becoming quite fashionable. Many young couples of my acquaintance, who have had no other reason for concealing the fact beyond their own whim, have thus slipped off without saying a word to anybody, and returned full-blown housekeepers, with "at home" days of their own, and everything else like real married people,--for, as said an old lady to me, "one can never be sure of married people nowadays unless you have been at the wedding."
My friend George Muncaster, who does everything charmingly different from any one else, hit upon one of the quaintest plans for his marriage. It was simple, and some may say prosaic enough. His days being spent at a great office in the city, he got leave of absence for a couple of hours, met his wife, went with her to the registrar's, returned to his office, worked the rest of the day as usual, and then went to his new home to find his wife and dinner awaiting him,--all just as it was going to be every night for so many happy years. Prosaic, you say! Not your idea of poetry, perhaps, but, after a new and growing fashion in poetry, truly poetic. George Muncaster's marriage is a type of the new poetry, the poetry of essentials. The old poetry, as exemplified in the old-fashioned marriage, is a poetry of externals, and certainly it has the advantage of picturesqueness.
There is perhaps more to be said for it than that. Indeed, if I were ever to get married, I am at a loss to know which way I should choose,--George Muncaster's way or the old merry fashion, with the rice and the old shoes and the orange-blossom. No doubt the old cheery publicity is a little embarrassing to the two most concerned, and the old marriage customs, the singing of the bride and bridegroom to their nuptial couch, the frank jests, the country horse-play, must have fretted the souls of many a lover before Shelley, who, it will be remembered,