The Quest of the Golden Girl [58]
which wonders, my clairvoyant fancy laughed to think, were at the moment--so entirely unsuspected of their original owner--my delicious possessions.
Everything a woman wears or touches immediately incarnates something of herself. A handkerchief, a glove, a flower,--with a breath she endues them with immortal souls. How much, therefore, of herself must inhere in a garment so confidential as a petticoat, or so close and constant a companion as a stocking!
Now that I knew Sylvia Joy, I realised how absolutely true my instinct had been, when on that far afternoon in that Surrey garden I had said, "With such a petticoat and such a name, Sylvia herself cannot be otherwise than charming."
Indeed, now I could see that the petticoat was nothing short of a portrait of her, and that any one learned in the physiognomy of clothes would have been able to pick Sylvia out of a thousand by that spirited, spoilt, and petted garment.
"What is that sly smile about?" she repeated presently.
"I only chanced to think of an absurd little fairy story I read the other day," I said, "which is quite irrelevant at the moment. You know the idle way things come and go through one's head."
"I don't believe you," she replied, "but tell me the story. I love fairy tales."
"Certainly," I said, for I wasn't likely to get a better opportunity. "There's nothing much in it; it's merely a variation of Cinderella's slipper. Well, once upon a time there was an eccentric young prince who'd had his fling in his day, but had arrived at the lonely age of thirty without having met a woman whom he could love enough to make his wife. He was a rather fanciful young prince, accustomed to follow his whims; and one day, being more than usually bored with existence, he took it into his head to ramble incognito through his kingdom in search of his ideal wife,--`The Golden Girl,' as he called her. He had hardly set out when in a country lane he came across a peasant girl hanging out clothes to dry, and he fell to talk with her while she went on with her charming occupation. Presently he observed, pegged on the line, strangely incongruous among the other homespun garments, a wonderful petticoat, so exquisite in material and design that it aroused his curiosity. At the same moment he noticed a pair of stockings, round the tops of which one of the daintiest artists in the land had wrought an exquisite little frieze. The prince was learned in every form of art, and had not failed to study this among other forms of decoration. No sooner did he see this petticoat than the whim seized him that he would find and marry the wearer, whoever she might be--"
"Rather rash of him," interrupted Sylvia, "for it is usually old ladies who have the prettiest petticoats. They can best afford them--"
"He questioned the girl as to their owner," I continued, "and after vainly pretending that they were her own, she confessed that they had belonged to a young and beautiful lady who had once lodged there and left them behind. Then the prince gave her a purse of gold in exchange for the finery, and on the waistband of the petticoat he read a beautiful name, and he said, `This and no other shall be my wife, this unknown beautiful woman, and on our marriage night she shall wear this petticoat.' And then the prince went forth seeking--"
"There's not much point in it," interrupted Sylvia.
"No," I said, "I'm afraid I've stupidly missed the point."
"Why, what was it?"
"The name upon the petticoat!"
"Why, what name was it?" she asked, somewhat mystified.
"The inscription upon the petticoat was, to be quite accurate, `Sylvia Joy, No. 6.' "
"Whatever are you talking about?" she said with quite a stormy blush. "I'm afraid you've had more than your share of the champagne."
As I finished, I slipped out of my pocket a dainty little parcel softly folded in white tissue paper. Very softly I placed it on the table. It contained one of the precious stockings; and half opening it, I revealed to Sylvia's astonished eyes the cunning little frieze of Bacchus
Everything a woman wears or touches immediately incarnates something of herself. A handkerchief, a glove, a flower,--with a breath she endues them with immortal souls. How much, therefore, of herself must inhere in a garment so confidential as a petticoat, or so close and constant a companion as a stocking!
Now that I knew Sylvia Joy, I realised how absolutely true my instinct had been, when on that far afternoon in that Surrey garden I had said, "With such a petticoat and such a name, Sylvia herself cannot be otherwise than charming."
Indeed, now I could see that the petticoat was nothing short of a portrait of her, and that any one learned in the physiognomy of clothes would have been able to pick Sylvia out of a thousand by that spirited, spoilt, and petted garment.
"What is that sly smile about?" she repeated presently.
"I only chanced to think of an absurd little fairy story I read the other day," I said, "which is quite irrelevant at the moment. You know the idle way things come and go through one's head."
"I don't believe you," she replied, "but tell me the story. I love fairy tales."
"Certainly," I said, for I wasn't likely to get a better opportunity. "There's nothing much in it; it's merely a variation of Cinderella's slipper. Well, once upon a time there was an eccentric young prince who'd had his fling in his day, but had arrived at the lonely age of thirty without having met a woman whom he could love enough to make his wife. He was a rather fanciful young prince, accustomed to follow his whims; and one day, being more than usually bored with existence, he took it into his head to ramble incognito through his kingdom in search of his ideal wife,--`The Golden Girl,' as he called her. He had hardly set out when in a country lane he came across a peasant girl hanging out clothes to dry, and he fell to talk with her while she went on with her charming occupation. Presently he observed, pegged on the line, strangely incongruous among the other homespun garments, a wonderful petticoat, so exquisite in material and design that it aroused his curiosity. At the same moment he noticed a pair of stockings, round the tops of which one of the daintiest artists in the land had wrought an exquisite little frieze. The prince was learned in every form of art, and had not failed to study this among other forms of decoration. No sooner did he see this petticoat than the whim seized him that he would find and marry the wearer, whoever she might be--"
"Rather rash of him," interrupted Sylvia, "for it is usually old ladies who have the prettiest petticoats. They can best afford them--"
"He questioned the girl as to their owner," I continued, "and after vainly pretending that they were her own, she confessed that they had belonged to a young and beautiful lady who had once lodged there and left them behind. Then the prince gave her a purse of gold in exchange for the finery, and on the waistband of the petticoat he read a beautiful name, and he said, `This and no other shall be my wife, this unknown beautiful woman, and on our marriage night she shall wear this petticoat.' And then the prince went forth seeking--"
"There's not much point in it," interrupted Sylvia.
"No," I said, "I'm afraid I've stupidly missed the point."
"Why, what was it?"
"The name upon the petticoat!"
"Why, what name was it?" she asked, somewhat mystified.
"The inscription upon the petticoat was, to be quite accurate, `Sylvia Joy, No. 6.' "
"Whatever are you talking about?" she said with quite a stormy blush. "I'm afraid you've had more than your share of the champagne."
As I finished, I slipped out of my pocket a dainty little parcel softly folded in white tissue paper. Very softly I placed it on the table. It contained one of the precious stockings; and half opening it, I revealed to Sylvia's astonished eyes the cunning little frieze of Bacchus