The Remains of the Day - Kazuo Ishiguro [56]
I am myself ensconced almost at the back wall, but even across the distance of this room, I can see clearly out into the sunlit street, and am able to make out on the pavement opposite a signpost pointing out several nearby destinations. One of these destinations is the village of Mursden. Perhaps ‘Mursden’ will ring a bell for you, as it did for me upon my first spotting it on the road atlas yesterday. In fact, I must say I was even tempted to make a slight detour from my planned route just to see the village. Mursden, Somerset, was where the firm of Giffen and Co. was once situated, and it was to Mursden one was required to dispatch one’s order for a supply of Giffen’s dark candles of polish, ‘to be flaked, mixed into wax and applied by hand’. For some time, Giffen’s was undoubtedly the finest silver polish available, and it was only the appearance of new chemical substances on the market shortly before the war that caused demand for this impressive product to decline.
As I remember, Giffen’s appeared at the beginning of the twenties, and I am sure I am not alone in closely associating its emergence with that change of mood within our profession – that change which came to push the polishing of silver to the position of central importance it still by and large maintains today. This shift was, I believe, like so many other major shifts around this period, a generational matter; it was during these years that our generation of butlers ‘came of age’, and figures like Mr Marshall, in particular, played a crucial part in making silver-polishing so central. This is not to suggest, of course, that the polishing of silver – particularly those items that would appear at table – was not always regarded a serious duty. But it would not be unfair to suggest that many butlers of, say, my father’s generation did not consider the matter such a key one, and this is evidenced by the fact that in those days, the butler of a household rarely supervised the polishing of silver directly, being content to leave it to, say, the under-butler’s whims, carrying out inspections only intermittently. It was Mr Marshall, it is generally agreed, who was the first to recognize the full significance of silver – namely, that no other objects in the house were likely to come under such intimate scrutiny from outsiders as was silver during a meal, and as such, it served as a public index of a house’s standards. And Mr Marshall it was who first caused stupefaction amongst ladies and gentlemen visiting Charleville House with displays of silver polished to previously unimagined standards. Very soon, naturally, butlers up and down the country, under pressure from their employers, were focusing their minds on the question of silver-polishing. There quickly sprang up, I recall, various butlers, each claiming to have discovered methods by which they could surpass Mr Marshall – methods they made a great show of keeping secret, as though they were French chefs guarding their recipes. But I am confident – as I was then – that the sorts of elaborate and mysterious processes performed by someone like Mr Jack Neighbours had little or no discernible effect on the end result. As far as I was concerned, it was a simple enough matter: one used good polish, and one supervised