The rise of Theodore Roosevelt - Edmund Morris [9]
The nerves that link all this mass of muscle are abnormally active. Roosevelt is not a twitcher—in moments of repose he is almost cataleptically still—but when talking his entire body mimes the rapidity of his thoughts. The right hand shoots out, bunches into a fist, and smacks into the left palm; the heels click together, the neck bulls forward, then, in a spasm of amusement, his face contorts, his head tosses back, spectacle-ribbons flying, and he shakes from head to foot with laughter. A moment later, he is listening with passionate concentration, crouching forward and massaging the speaker’s shoulder as if to wring more information out of him. Should he hear something not to his liking, he recoils as if stung, and the blood rushes to his face.68
Were it not for his high brow, and the distracting brilliance of his smile, Roosevelt would unquestionably be an ugly man. His head is too big and square (one learned commentator calls it brachycephalous),69 his ears too small, his jowls too heavy. The stiff brown hair is parted high and clipped unflatteringly short. Rimless pince-nez squeeze the thick nose, etching a tiny, perpetual frown between his eyebrows. The eyes themselves are large, wide-spaced, and very pale blue. Although Roosevelt’s gaze is steady, the constant movement of his head keeps slicing the pince-nez across it, in a series of twinkling eclipses that make his true expression very hard to gauge. Only those who know him well are quick enough to catch the subtler messages Roosevelt sends forth. William Allen White occasionally sees “the shadow of some inner femininity deeply suppressed.”70 Owen Wister has detected (and Adolfo Muller-Ury painted) a sort of blurry wistfulness, a mixture of “perplexity and pain … the sign of frequent conflict between what he knew, and his wish not to know it, his determination to grasp his optimism tight, lest it escape him.”71
His ample mustache does not entirely conceal a large, pouting underlip, on the rare occasions when that lip is still. Mostly, however, the mustache gyrates about Roosevelt’s most celebrated feature—his dazzling teeth. Virtually every published description of the President, including those of provincial reporters who can catch only a quick glimpse of him through the window of a campaign train, celebrates his dental display. Cartoonists across the land have sketched them into American folk-consciousness, so much so that envelopes ornamented only with teeth and spectacles are routinely delivered to the White House.72
At first sight the famous incisors are, perhaps, disappointing, being neither so big nor so prominent as the cartoonists would make out. But to watch Roosevelt talking is to be hypnotized by them. White and even, they chop every word into neat syllables, sending them forth perfectly formed but separate, in a jerky staccatissimo that has no relation to the normal rhythms of speech. The President’s diction is indeed so syncopated, and accompanied by such surprise thrusts of the head, that there are