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the Real; and violence

Redding, Otis

Reed, Jimmy

Ricci, Jason

Richards, Keith; in American South; in Arkansas; on black juke joints; creative style of; and drugs; and fame; as great guitarist; grooves of; on guitar; influences on; Life; as musician; as natural; persona of; as pirate; playing style of; “Play with Fire,” ; as promethean; on rhythm; riffs of; as in the shadows; as out of shadow; soul of; tension in; and visual art

Richards, Marlon

Ring of Gyges

“Riot Act,”

rock’n’roll; and Arkansas; as devil’s music; and Dionysian frenzy; elements of; experimentation in; and fear of miscegenation; and higher/lower pleasures debate; origins of; and racial integration; and sexual revolution; as sin

Rodgers, Jimmie

Roeg, Nicholas

Romanovs

The Rolling Stones: Aftermath; “All Down the Line,” ; and America; as anti-establishment; “Around and Around,” ; as artists; and avant-garde; “Back Street Girl,” ; as “bad boys,” ; “Beast of Burden,”; versus The Beatles; “Before They Make Me Run,” ; Beggars Banquet; as beggars at banquet; “Between the Buttons,” ; A Bigger Bang; “Big Hits, Vol. 2,”; “Bitch,” ; and the blues ; Bridges to Babylon; “Brown Sugar,”; as business; “Citadel,” ; clichés about; as cosmic entanglement; and counterculture; and country music; creative collaboration in; in Czechoslavakia; “Dandelion,” ; darkness of; and the devil as projection; dialectic in; as Dionysian; and drugs; early media response to; Exile on Main Street; forms of exile in; “Far Away Eyes,” ; farewell tour reports; and femininity; Flashpoint; Flowers; formation of; in France; and frenzy; genius of; “Get Off of My Cloud,” ; “Gimme Shelter,” ; “Good Thing Going,” ; “Gunface,” ; “Happy,” ; “Have You Seen Your Mother Baby, Standing in the Shadow,” ; and hedonism; “Honky Tonk Women” ; “(I Can’t Get No) Satisfaction,”; “I Just Wanna See His Face,” ; improvisational style; “In Another Land,” ; “It” of; “It’s Only Rock’n’Roll (But I Like It),” ; “I Wanna Be Your Man,” ; “Jumpin’ Jack Flash,” ; Journey through America tour; “Lady Jane,” ; “Let It Bleed,” ; “Let It Loose,” ; “Let’s Spend the Night Together,” ; and literature; “Little Susie,” ; live concerts; logo for; longevity; looseness in, as virtue; “Loving Cup,” ; and Lucifer; “Midnight Rambler,” ; and misogyny; “Miss You,” ; “Monkey Man,” ; “Mother’s Little Helper,” ; “Nineteenth Nervous Breakdown,” ; “No Expectations,” ; “On with the Show,” ; “Out of Control,” ; pain in lyrics of; “Paint It, Black,” ; Parachute Woman,” ; and Pepperism; as Platonic Form; and political expression; and racial integration; “Ready, Steady, Go!.” ; reality/illusion in; rhythm section in; and riots; “Rip This Joint,” ; “Rocks Off,” ; The Rolling Stones Rock and Roll Circus; and romantic evil; “Ruby Tuesday,” ; “The Salt of the Earth,” ; “Sex Drive,” ; “Shake Your Hips,” ; “Shattered,” ; “She Said Yeah,” ; “She’s a Rainbow,”; “Shine a Light,” ; “Sing This Altogether,” ; “Sister Morphine,” ; Some Girls; “Some Girls,” ; “Soul Survivor,” ; “The Spider and the Fly,” ; “Start Me Up,” ; Steel Wheels tour; stereotypes about; Sticky Fingers; “Sticky Fingers,” ; “Stop Breaking Down,” ; “Street Fighting Man,” ; “Stupid Girl,” ; “Sway,” ; “Sweet Black Angel,” ; “Sweet Neo Con,” ; “Sweet Virginia,” ; “Sympathy for the Devil,” ; “Tattoo You,” ; “That Girl Belongs to Yesterday,” ; “That’s How Strong My Love Is,” ; Their Satanic Majesties Request ; as ‘theorists,’ ; “Torn and Frayed,” ; tour as art form; Tour of the Americas; “Tumbling Dice,” ; “Turd on the Run,” ; “2000 Light Years from Home,” ; “2000 Man,” ; “Under Cover of the Night,” ; “Under My Thumb,” ; as unoriginal; “Ventilator Blues,” ; and violence; Voodoo Lounge Tour; “Waiting on a Friend,” ; “Wild Horses,” ; “You Can’t Always Get What You Want,”; “You Got Me Rockin’,” ; “Yesterday’s Papers,”

Romanticism

The Ronettes: “Be My Baby,”

Rosemary’s Baby (movie)

Rotten, Johnny

Rumsfeld, Donald

Rush

Sade, Marquis de

Salimpoor, Valorie

Sartre, Jean-Paul; “Existentialism Is a Humanism” ; on monogamy; on morality

Scott’Wren