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27

Cicero, “On Ends,” in The Hellenistic Philosophers: Translations of the Principal Sources, with Philosophical Commentary, Volume 1 (Cambridge University Press, 1987), p. 113.

28

Epicurus. Letter to Menoeceus, in The Hellenistic Philosophers, p. 114.

29

.

30

Cicero, “Tusculan Disputations,” in The Hellenistic Philosophers, p. 117.

31

Epicurus, “Key Doctrines,” in The Hellenistic Philosophers, p. 115.

32

.

33

Exile in Guyville (ATO, 2008, CD with bonus DVD).

34

Check out Jean-Luc Godard’s film Sympathy for the Devil which documents some of the in-studio development of this Stones classic from dull and plodding to the frenetic up-tempo classic.

35

Martin Eger, Science, Understanding, and Justice (Open Court, 2006), p. 9.

36

.

37

Quoted by Peter Walker, “Wealth and Taste: V&A Buys Original Rolling Stones Logo,” Guardian (September 2nd, 2008).

38

Jacob Ganz, “A Guy in Guyville,” National Public Radio (June 4th, 2008).

39

Dan Denillo talks about Kenneth Anger’s work with The Stones in Chapter 21 of this volume.

40

Go ahead and Wiki search bonobos and you’ll find creatures who seem to be as happy and sophisticated as any rock’n’roller in regards to their sexuality.

41

Though, it’s not a universal belief amongst Jews. For more on the up-to-date debate on the Jewish foreskin, visit .

42

Douglas Cruickshank, “‘Sympathy for the Devil’: Mick Jagger’s Mad, Erudite Incantation Strutted ’60s Rock toward the Dark Side of History,” Salon.com (January 14th, 2002).

43

“Satisfaction Guaranteed,” Newsweek .

44

Richard G. Niemi and Barbara I. Sobieszek, “Political Socialization,” Annual Review of Sociology 3 (1977), pp. 209–33.

45

Allan David Bloom, The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today’s Students (Simon and Schuster, 1987), p. 78.

46

“Satisfaction Guaranteed.”

47

I want to thank my friend and colleague Timothy M. Dale who established the groundwork for how popular culture is transforming how we might conceive of the public sphere in Homer Simpson Marches on Washington: Dissent through American Popular Culture (2010). His insights were invaluable to this chapter. Thanks also to Craig Hurst and Phil Zweifel for helping me to better understand The Stones.

48

Jenny Lewis is perhaps the only exception to this rule.

49

There are several chapters worth exploring in Keith’s Life where he explains his creative experience.

50

. Go ahead and read it. It’s free and on the Internet. You probably won’t, as your soul, like mine, is too democratic by now. You might just skim it.

51

James Wetzel, Augustine: A Guide for the Perplexed (Continuum, 2010).

52

This chapter is for Carol Russell.

53

Confessions (Hackett, 1993), p. 23.

54

On Free Choice of the Will (Hackett, 1993), p. 58; City of God (Hafner, 1948), XI, Chapter 9.

55

“If Anything, Blame Woodstock: The Rolling Stones, Altamont, December

6, 1969,” in Ian Inglis, ed. Performance and Popular Music (Ashgate, 2006), pp.

66–69.)

56

Lester Bangs, “The Rolling Stones Disaster at Altamont: Let It Bleed,”

Rolling Stone (21st January, 1970), p. 20.

57

Steve Appleford, The Rolling Stones, It’s Only Rock and Roll: Song by Song (Schirmer, 1997), p. 69.

58

An early use of this term is found in George Coleman’s one-act farce Blue Devils (1798).

59

Giles Oakley, The Devil’s Music: A History of the Blues (Da Capo, 1997), p. 9.

60

Unless otherwise noted, this chapter’s quotes from newspapers come from Bill Wyman’s Rolling with The Stones (DK, 2002).

61

Tony Sanchez, Up and Down with the Rolling Stones (Morrow, 1979), pp. 47–48.

62