The Rosary [142]
compassionate; tender; self-surrendering. She leaned over him, and rested her cheek upon his head.
"Yes, darling. We will talk of this very moment, if you wish. You begin."
"Look at the house, and describe it to me, as you see it in the moonlight."
"Very grey, and calm, and restful-looking. And so home-like, Garthie."
"Are there lights in the windows?"
"Yes. The library lights are just as we left them. The French window is standing wide open. The pedestal lamp, under a crimson silk shade, looks very pretty from here, shedding a warm glow over the interior. Then, I can see one candle in the dining-room. I think Simpson is putting away silver."
"Any others, Jane?"
"Yes, darling. There is a light in the Oriel chamber. I can see Margery moving to and fro. She seems to be arranging my things, and giving final touches. There is also a light in your room, next door. Ah, now she has gone through. I see her standing and looking round to make sure all is right. Dear faithful old heart! Garth, how sweet it is to be at home to-day; served and tended by those who really love us."
"I am so glad you feel that," said Garth. "I half feared you might regret not having an ordinary honeymoon--And yet, no! I wasn't really afraid of that, or of anything. Just, together at last, was all we wanted. Wasn't it, my wife?"
"All."
A clock in the house struck nine.
"Dear old clock," said Garth, softly. "I used to hear it strike nine, when I was a little chap in my crib, trying to keep awake until my mother rustled past; and went into her room. The door between her room and mine used to stand ajar, and I could see her candle appear in a long streak upon my ceiling. When I saw that streak, I fell asleep immediately. It was such a comfort to know she was there; and would not go down again. Jane, do you like the Oriel chamber?"
"Yes, dear. It is a lovely room; and very sacred because it was hers. Do you know, Aunt Georgina insisted upon seeing it, Garth; and said it ought to be whitened and papered. But I would not hear of that; because the beautiful old ceiling is hand-painted, and so are the walls; and I was certain you had loved those paintings, as a little boy; and would remember them now."
"Ah, yes," said Garth, eagerly. "A French artist stayed here, and did them. Water and rushes, and the most lovely flamingoes; those on the walls standing with their feet in the water; and those on the ceiling, flying with wings outspread, into a pale green sky, all over white billowy clouds. Jane, I believe I could walk round that room, blindfold--no! I mean, as I am now; and point out the exact spot where each flamingo stands."
"You shall," said Jane, tenderly. These slips when he talked, momentarily forgetting his blindness, always wrung her heart. "By degrees you must tell me all the things you specially did and loved, as a little boy. I like to know them. Had you always that room, next door to your mother's?"
"Ever since I can remember," said Garth. "And the door between was always open. After my mother's death, I kept it locked. But the night before my birthday, I used to open it; and when I woke early and saw it ajar, I would spring up, and go quickly in; and it seemed as if her dear presence was there to greet me, just on that one morning. But I had to go quickly, and immediately I wakened; just as you must go out early to catch the rosy glow of sunrise on the fleeting clouds; or to see the gossamer webs on the gorse, outlined in diamonds, by the sparkling summer dew. But, somehow, Margery found out about it; and the third year there was a sheet of writing- paper firmly stuck to the pincushion by a large black-headed pin, saying, in Margery's careful caligraphy: 'Many happy returns of the day, Master Garthie.' It was very touching, because it was meant to be so comforting and tactful. But it destroyed the illusion! Since then the door has been kept closed."
Another long sweet silence. Two nightingales, in distant trees, sang alternately; answering one another in liquid streams of melody.
Again Garth turned
"Yes, darling. We will talk of this very moment, if you wish. You begin."
"Look at the house, and describe it to me, as you see it in the moonlight."
"Very grey, and calm, and restful-looking. And so home-like, Garthie."
"Are there lights in the windows?"
"Yes. The library lights are just as we left them. The French window is standing wide open. The pedestal lamp, under a crimson silk shade, looks very pretty from here, shedding a warm glow over the interior. Then, I can see one candle in the dining-room. I think Simpson is putting away silver."
"Any others, Jane?"
"Yes, darling. There is a light in the Oriel chamber. I can see Margery moving to and fro. She seems to be arranging my things, and giving final touches. There is also a light in your room, next door. Ah, now she has gone through. I see her standing and looking round to make sure all is right. Dear faithful old heart! Garth, how sweet it is to be at home to-day; served and tended by those who really love us."
"I am so glad you feel that," said Garth. "I half feared you might regret not having an ordinary honeymoon--And yet, no! I wasn't really afraid of that, or of anything. Just, together at last, was all we wanted. Wasn't it, my wife?"
"All."
A clock in the house struck nine.
"Dear old clock," said Garth, softly. "I used to hear it strike nine, when I was a little chap in my crib, trying to keep awake until my mother rustled past; and went into her room. The door between her room and mine used to stand ajar, and I could see her candle appear in a long streak upon my ceiling. When I saw that streak, I fell asleep immediately. It was such a comfort to know she was there; and would not go down again. Jane, do you like the Oriel chamber?"
"Yes, dear. It is a lovely room; and very sacred because it was hers. Do you know, Aunt Georgina insisted upon seeing it, Garth; and said it ought to be whitened and papered. But I would not hear of that; because the beautiful old ceiling is hand-painted, and so are the walls; and I was certain you had loved those paintings, as a little boy; and would remember them now."
"Ah, yes," said Garth, eagerly. "A French artist stayed here, and did them. Water and rushes, and the most lovely flamingoes; those on the walls standing with their feet in the water; and those on the ceiling, flying with wings outspread, into a pale green sky, all over white billowy clouds. Jane, I believe I could walk round that room, blindfold--no! I mean, as I am now; and point out the exact spot where each flamingo stands."
"You shall," said Jane, tenderly. These slips when he talked, momentarily forgetting his blindness, always wrung her heart. "By degrees you must tell me all the things you specially did and loved, as a little boy. I like to know them. Had you always that room, next door to your mother's?"
"Ever since I can remember," said Garth. "And the door between was always open. After my mother's death, I kept it locked. But the night before my birthday, I used to open it; and when I woke early and saw it ajar, I would spring up, and go quickly in; and it seemed as if her dear presence was there to greet me, just on that one morning. But I had to go quickly, and immediately I wakened; just as you must go out early to catch the rosy glow of sunrise on the fleeting clouds; or to see the gossamer webs on the gorse, outlined in diamonds, by the sparkling summer dew. But, somehow, Margery found out about it; and the third year there was a sheet of writing- paper firmly stuck to the pincushion by a large black-headed pin, saying, in Margery's careful caligraphy: 'Many happy returns of the day, Master Garthie.' It was very touching, because it was meant to be so comforting and tactful. But it destroyed the illusion! Since then the door has been kept closed."
Another long sweet silence. Two nightingales, in distant trees, sang alternately; answering one another in liquid streams of melody.
Again Garth turned