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The Savage Girl - Alex Shakar [142]

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with systems of belief, customizing and mixing and matching beliefs as easily as they currently do their material purchases, and discarding one for the next whenever their happiness, spiritual growth, and general empowerment requires it. Moreover, Javier believes that this ability to experience many different lives at once will lead not only to greater personal fulfillment but also to greater tolerance and understanding for the rest of mankind.

For Chas, on the other hand, Virtualism has darker implications: according to his formulation, it will lead to what he calls “Radical Individualism,” or “the creation of multiple consumer-identities within a single individual.” While a potential boon for the savvy marketer, the consumer may find in the experience of Virtualism a perpetual lack of wholeness or centeredness, a kind of schizophrenia.

Well, what about schizophrenia, then? Is this an altogether bad thing? While I’m not currently aware of any “pro-schizo” newsgroups out there, who knows, maybe soon there will be. In the novel, Ivy’s schizophrenia gives her power as well as powerlessness, glamour as well as squalor, grandeur as well as persecution. And maybe, in a way, that’s what consumerism gives us all.

– Alex Shakar

August 1, 2001

Acknowledgments


Among his many sources, the author wishes to acknowledge Lynda Edward’s vivid article “I Have Seen the Future and It Is Puce with Aquamarine Accents” (Spy magazine, March 1991); Thomas Frank’s thoughtprovoking book The Conquest of Cool (University of Chicago Press, 1997); and David Langendoen and Spencer Grey for the harrowing concept of trans-temporal marketing; and to thank Dr. Susan Stabinsky for helping him gain access to the lives of victims of schizophrenia. The epigraph on page vii is from Paris Spleen, by Charles Baudelaire, translated by Louise Varèse (New Directions, 1970).

The author also acknowledges the support of the Michener Center for Writers; the Wurlitzer Foundation for the Arts; and the University of Illinois at Chicago; and extends his profound gratitude to the many people who helped make this book what it is, especially Joseph Skibell; Cris Mazza; Gina Frangello; Martin, Diane, Greg, and Mary Shakar; Olivia Block; Bill Clegg; and Robert Jones.

About the Author


Alex Shakar is the author of the story collection City in Love, which won the 1996 FC2 National Fiction Competition and was selected as an Independent Presses Editors’ “Pick of the Year.” A native of Brooklyn, New York, Mr. Shakar was a Michener Fellow at the University of Texas at Austin and is now pursuing a Ph.D. in English and Creative Writing at the University of Illinois at Chicago.

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Credits


Jacket design by Roberto de Vicq de Cumptich

Copyright


This is a work of fiction. Names, characters, places and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.

THE SAVAGE GIRL. Copyright © 2001 by Alex Shakar. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © SEPTEMBER 2001 ISBN: 9780061863462

Print edition first published in 2001 by HarperCollins Publishers, Inc.

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