The Scar - China Mieville [149]
“Captain Sengka,” he said in that beautiful voice. He stood still, the pistol now trained on his head, looking up at the cactus-man, more than a foot taller and vastly more massive than he. He stared into the barrel of the gun as he spoke, as if it were Sengka’s eye. “It falls to me to bid you good-bye.”
The captain looked down and seemed momentarily uncertain. He drew back his free hand then, his biceps knotting enormously under his skin, his meaty fist tensed and ready to swing, bristling with thorns. He was moving slowly, obviously hoping not to hit Doul, but to intimidate him into submission.
Doul reached out with both his hands, as if supplicating. He paused, and there was a sudden snapping motion of such speed that Bellis—who had expected it, who had known that something of the sort would happen—could not possibly follow it. Sengka was reeling back, shocked, holding his throat where Doul had jabbed him with stiff fingers (not hard but like a warning, finding a space between those vicious spines and taking the breath from him). Doul held the gun now, still pointing toward his own skull, trapped between his flat palms like something granted him in prayer. He kept his eyes on Sengka and whispered to him, words that Bellis could not hear.
(Bellis’ heart is slamming. Doul’s actions shatter her. Whether an attack is brutal or muted, the motion itself, its preternatural speed and perfection, makes it seem like an assault on the order of things, as if time and gravity can no more withstand Uther Doul than flesh.)
The two cactacae standing behind Sengka stepped forward, sluggish and outraged. They reached to their belts, drawing weapons, and the gun held in Doul’s frozen applause flickered and faced them, and flickered again and was clenched in his outstretched right hand, pointed directly first at one and then (instantaneously) the other sailor.
(There is no movement. The three cactacae are appalled at this velocity and control that border on thaumaturgy.)
Doul shifted again, the gun leaving his fingers and spinning out of reach. His white sword was in his hand. There were two reports, and Sengka’s crew members yelled in pain, in quick succession, their hands snapping away from their weapons, now clutched in front of them, wrists split.
The sword’s tip was at Sengka’s throat now, and the cactus-man stared at Doul with fear and hatred.
“I hit your men with the flat of my blade, Captain,” said Doul. “Don’t make me show you the edge.”
Sengka and his men backed away, retreating out of his range, through the door and into the last of the daylight. Doul waited by the entrance, his sword extended into the open air.
All around the room a sound was building, a rhythmic muttering, a triumphant, awed bark. Bellis remembered it. She had heard it before.
“Doul!” the men and women of Armada chanted. “Doul! Doul! Doul!”
As they had at the glad’ circus, as if he were a deity, as if he could grant them wishes, as if they were chanting in church. Their adorations were not loud, but they were fervent and grimly joyous, and ceaseless, and in perfect time. They enraged Sengka, who heard in them a taunt.
He glared back at Doul, framed in the doorway.
“Look at you,” he shouted furiously. “You coward, you pig-man, you fucking cheat! What demon did you let fuck you in return for those skills, pig-man? You won’t leave this fucking place.”
He was silent then, suddenly, his voice collapsing, as Uther Doul stepped out of the room, into what the cactacae had thought of as the safety of the open air. The Armadans gasped, but most of them kept chanting.
Bellis was at the door immediately, ready to slam it against any she-anophelii. She saw Doul stalking without hesitation toward Nurjhitt Sengka, his blade held poised. She could hear him speaking.
“I know you’re angry, Captain,” he said softly. “Control yourself, though. There’s no danger in Aum coming with us, and you know that. It’ll be his last contact with this island. You came to forbid it because you felt your authority leaching