The Scar - China Mieville [37]
The sky was full of craft. Gondolas swayed beneath dirigibles, ferrying passengers across the angling architecture, descending between close-quartered housing and letting down rope ladders, cruising past much larger airships that hauled goods and machinery. Those were chaotic. Some were congealed from lashed-together gasbags, extruding cabins and engines randomly, like chance accretions of material. Masts were mooring posts, sprouting aerostats of various shapes, like plump, mutant fruit.
From Chromolith Bellis crossed a steep little bridge to the schooner Jarvee, crowded with little kiosks selling tobacco and sweets. She passed up onto the barquentine Lynx Sejant, its deck full of silk merchants selling offcuts from Armada’s piracy. Right, past a broken llorgiss sea pillar bobbing like some malevolent fishing lure, and Bellis crossed Taffeta Bridge.
She was now on the Severe, a massive clipper, the edge of Booktown riding, where the khepri ruled. Beside carts pulled by Armada’s sickly inbred ox and horses, Bellis passed a team of three khepri guard-sisters.
There were similar trios in Kinken and Creekside, New Crobuzon’s khepri ghettos. It had astonished Bellis the first time she had seen them here. The khepri in Armada, like those in New Crobuzon, must be descendants of refugees from the Mercy Ships, worshipping what was left, what they remembered, of the Bered Kai Nev pantheon. They held traditional weapons. Their lithe humanoid women’s bodies were weatherbeaten, their heads like giant scarabs iridescent in the cold sun.
With so many mute khepri residents, the streets of Booktown were quieter than those of Garwater. Instead, the air was slightly spiced with residue from the chymical mists that were part of khepri communication. It was their equivalent of a boisterous hubbub.
Punctuating the alleyways and squares were khepri-spit sculptures, like those in New Crobuzon’s Plaza of Statues. Figures from myth, abstract forms, sea creatures executed in the opalescent material the khepri metabolized through their headscarabs. The colors were muted, as if colorberries were less plentiful here, or of worse quality.
On an avenue on the Compound Dust, a khepri clockwork ship—a Mercy Ship that had fled the Ravening—Bellis slowed, fascinated by its cogs and architecture. Insects and husks blew fitfully into her path from the gusting deck-field of a farm ship aft, and the distant bleating of livestock sounded through slats in its lower decks.
Then on to the fat factory ship the Aronnax Lab, past metallurgy workshops and refineries, into Krome Plaza, where a great suspended platform reached out across the water onto the deck of the Pinchermarn, the aftmost of the vessels that made up Grand Gears Library.
“Relax . . . no one cares that you’re late, you know,” said Carrianne, one of the human staff, as Bellis hurried past. “You’re new, you’re press-ganged, so you might as well milk it.” Bellis heard her laughing, but did not respond.
The corridors and converted mess halls were crammed with bookshelves and guttering oil lanterns. Scholars of all races pursed their lips, if they had them, and looked up wistfully in Bellis’ wake. The reading rooms were large and quiet. Their windows were filmed in dust and desiccated insects, and seemed to age the light falling across the communal tables and the volumes in scores of languages. Stifled coughs sounded like apologies as Bellis entered the acquisitions department. Books tottered on cabinets and trolleys and in loose towers on the floor.
She was there for hours, coding methodically. Stacking books written in scripts she could not read, recording the details of the other volumes onto cards. Filing them alphabetically—the Salt alphabet was a slightly variant form of the Ragamoll script—according to author, title, language, themes, and subjects.
A little before she was due to break for her lunch Bellis heard footsteps. It must be Shekel, she thought. He was the only person from the Terpsichoria she saw or spoke to. She smiled at the thought