The Scorpio Races - Maggie Stiefvater [78]
Barnes takes the crop and gathers the reins back up again. Mettle is trembling and eager now, held only by my touch on her bridle. Barnes looks at me, and I can see that he’s scared of the potential, scared of speed. I think he’d better learn to love it soon.
I release her bridle and lift my other hand as if I’ve still got the crop in it, and Mettle explodes off the mark, down the gallop. I watch her for a moment to see how Barnes handles himself — he’s not half-bad, despite his terror — and to see if Mettle stays on it. I could’ve done better, but still, at least she’s working now.
I walk back to the rail and duck under. Malvern’s eyes follow Mettle as he scratches his chin; I can hear his fingernails on his skin.
I put my hands in my pockets. I don’t need a stopwatch to know that Mettle has bettered her time. For a moment, I’m silent, reaching for something that will give some weight to what I’m about to say. But there’s nothing for it but to just say it. “I would buy Corr from you.”
Benjamin Malvern casts me a look that is cross if it is anything, and looks back to the gallop. He produces a stopwatch, which I see now he’s had nestled in his hand all this time, and clicks it as Mettle reaches the end of the gallop.
“Mr. Malvern,” I say.
“I don’t like having the same conversation twice. I told you years ago, and I can hear that I’m repeating myself, he’s not for sale to anyone. Don’t take it personally.”
I know, of course, his reasoning for not selling Corr. To sell him is to lose a strong contender for the Scorpio Races. To sell him is to lose one of the biggest pieces of advertising he has.
“I understand why you don’t want to sell him,” I say. “But maybe you’ve forgotten what it was to ride for someone else and not have a horse to call your own.”
Malvern frowns at his stopwatch; not because Mettle was slow, but because she was the opposite.
“And I told you before, I’ll sell you any of the thoroughbreds.”
“I didn’t make any of those thoroughbreds. I didn’t make them what they are.”
Malvern says, “You made all of them what they are.”
I don’t look at him. “None of them made me who I am.”
It feels like an incredible confession. I’ve turned my heart out for Malvern to examine the contents. I’ve grown up alongside Corr. My father rode him and my father lost him, and then I found him again. He’s the only family I have.
Benjamin Malvern rubs his great coarse thumb over his chin, and for a moment I think that he’s actually considering it. But then he says, “Choose another horse.”
“I’ll train the others. That’s the only thing that will change.”
“Choose another horse, Mr. Kendrick.”
“I don’t want another horse,” I say. “I want Corr.”
He still doesn’t look at me. If he looks at me, I think, I have him. My blood sings in my ears.
Malvern says, “I’m not having this conversation again. He’s not for sale.”
As Malvern watches the next horse stepping onto the track, I fist my hands in my pockets, remembering how Kate Connolly didn’t back down at the riders’ parade. I remember Holly saying that there must be something that Malvern wanted more than Corr. I remember the mare goddess’s strange voice: Make another wish. I even think of Mutt Malvern, risking everything for fame on that piebald mare. I had always thought that I’d spent my entire life gambling, risking my life each year on the beach, but I now know that I’ve never risked the one thing that I truly was afraid to lose.
I don’t want to do this.
I say, very quietly, “Then, Mr. Malvern, I quit.”
He turns his head and one of his eyebrows is raised. “What’s that?”
“I quit. Today. Find another trainer. Find someone else to ride in the races.”
The faintest hint of a smile moves his lips. I recognize it: disdain. “Are you trying to blackmail me?”
“Call it what you like,” I say. “Sell me Corr, and I’ll race for you one last year, and I’ll keep on training your horses.”
On the gallop, a dark bay gelding lopes along, breathing hard. He’s not in racing condition yet. Malvern rubs his hand over his lips again, an action that somehow reminds me of Mettle.