The Scottish Prisoner - Diana Gabaldon [90]
The shock of it waned quickly, though, and soon enough the icy ball in his wame began to thaw under the gentle flame of the whiskey. There were immediate things to be dealt with; grief must be put away.
Abbot Michael was talking of neutral things: the weather (unusually good and a blessing for the lambs), the state of the chapel roof (holes so big it looked as though a pig had walked across the roof, and a full-grown pig, too), the day (so fortunate that it was Thursday and not Friday, as there would be meat for dinner, and of course Jamie would be joining them; he would enjoy Brother Bertram’s version of a sauce; it had no particular name and was of an indistinct color—purple, the abbot would have called it, but it was well known he had no sense of color and had to ask the sacristan which cope to wear in ordinary time, as he could not tell red from green and took it only on faith that there were such colors in the world, but Brother Daniel—he’d have met Brother Daniel, the clerk outside?—assured him it was so, and surely a man with a face like that would never lie, you had only to look at the size of his nose to know that), and other things to which Jamie could nod or smile or make a noise. And all the time, the green eyes searched his face—kind but penetrating.
The abbot saw the moment when Jamie felt once more in command of himself and sat back a little, inviting him by posture more than words to state his business.
“If I might ask a moment of your time, Father …” He drew the folded sheet of paper out of his bosom and handed it across. “I know ye’ve a reputation for learning and history, and I ken my uncle said ye’ve a rare collection of tales of the Auld Ones. I should value your opinion of this bit of verse.”
Abbot Michael’s brows were thick and white, with long hairs curling wildly in the manner of old men. These perked up, vibrating with interest, and he bent his attention to the paper, eyes flicking from line to line like a hummingbird in a flower patch.
Jamie’s own eyes had been traveling round the room as Abbot Michael talked. It was an interesting place—any place where work was done interested him—and he stood up with a murmured excuse and went to the bookshelves, leaving the abbot to his close inspection of the poem.
The room was as big as the Duke of Pardloe’s library and had at least as many books, and yet the feeling of it was more akin to the small cluttered hole in which Pardloe clearly did his thinking.
You could tell from the books whether a library was meant for show or not. Books that were used had an open, interested feel to them, even if closed and neatly lined up on a shelf in strict order with their fellows. You felt as though the book took as much interest in you as you did in it and was willing to help when you reached for it.
The abbot’s books were even more overt. A dozen volumes—at least—lay open on the big table by the window, half of them lying on top of one another, all open, and leaves of scribbled notes sticking out of the pile, wavering—beckoning—in the draft from the window.
Jamie felt a strong desire to go across and see what the open books were, to go to the shelves and run his knuckles gently over the leather and wood and buckram of the bindings until a book should speak to him and come willingly into his hand.
It had been a long time since he’d owned a book.
The abbot had read through the sheet several times, with interest, then frowning in concentration, soft lips moving silently over the words. Now he sat back with a small, explosive ‘hmmph!’ and looked over it at Jamie.
“Well, now, there’s a piece of work,” he said. “Would you know who wrote it?”
“I would not, Father. It was given into my hand by an