The Sea, The Sea - Iris Murdoch [108]
‘So your house stands there by the sea, all alone, on the rocks really?’
‘Yes.’
‘That’s good, that’s good.’ James’s murky eyes widened and then became for an instant vacant, as if he were voyaging elsewhere. This momentary absence was characteristic too, it never lasted more than seconds. I used to wonder if he took drugs (many of those old eastern hands do) but it may simply have been boredom. How I used to worry when I was young about whether I bored James! ‘But don’t you miss the bustle of the theatre? You never had any hobbies that I can remember. Whatever do you do with yourself all day? Paint the house? I am told that’s what retired people do.’
James did not always, in talking to me, avoid a perhaps instinctive reversion to a slightly patronizing jokey tone which used to madden me when we were boys, especially since he was the younger. The banal phrase ‘the bustle of the theatre’ and the equation of me with ‘retired people’ seemed with an easy gesture to consign my activities past and present to unimportance. Or perhaps I was still being too sensitive.
‘I am writing my memoirs.’
‘Theatre chat? Anecdotes about actresses?’
‘Certainly not! I want to do the deep thing, real analysis, real autobiography—’
‘Not easy to do.’
‘I know it’s not easy to do!’
‘We are such inward secret creatures, that inwardness is the most amazing thing about us, even more amazing than our reason. But we cannot just walk into the cavern and look around. Most of what we think we know about our minds is pseudo-knowledge. We are all such shocking poseurs, so good at inflating the importance of what we think we value. The heroes at Troy fought for a phantom Helen, according to Stesichorus. Vain wars for phantom goods. I hope you will allow yourself plenty of reflections on human vanity. People lie so, even we old men do. Though in a way, if there is art enough it doesn’t matter, since there is another kind of truth in the art. Proust is our authority on French aristocrats. Who cares what they were really like? What does it mean even?’
‘I should say it meant something simple and obvious, but then I am no philosopher! And I should say that it mattered too. It matters to the historian, it even matters to the critic.’ Nor did I care for ‘we old men’. Speak for yourself, cousin.
‘Does it signify what really happened to Lawrence at Déraa? If even a dog’s tooth is truly worshipped it glows with light. The venerated object is endowed with power, that is the simple sense of the ontological proof. And if there is art enough a lie can enlighten us as well as the truth. What is the truth anyway, that truth? As we know ourselves we are fake objects, fakes, bundles of illusions. Can you determine exactly what you felt or thought or did? We have to pretend in law courts that such things can be done, but that is just a matter of convenience. Well, well, it doesn’t signify. I must come and see your seaside house and your birds. Are there gannets?’
‘I don’t know what gannets look like.’
James was silent, shocked.
I was beginning to have an old familiar sensation which, oddly enough, I tended to forget in the interim, a feeling of disappointment and frustrated helplessness, as if I had looked forward to talking to James and had then been deliberately excluded from some kind of treat; as if something significant which I wanted to tell him had been, inside my very soul, shrivelled, trivialized by a casual laser beam of his