The Sea, The Sea - Iris Murdoch [204]
I was still fairly near the house and I set off through what was now a somewhat darker scene. The luminous clouds had been quenched, the moon was smaller and a little brighter, not yet quite radiant, in a near-midsummer sky which still had inklings of light. I could hear Lizzie’s voice singing, calling me, over and over again. Ding dong ding dong bell, ding dong ding dong bell . . . I stumbled along through the rocks, making the little detours which I now knew so well. I reached the bridge over Minn’s cauldron and paused there, as I always did, to look down into the smooth pit where the waves of the incoming tide were lashing themselves in a foaming self-destructive fury. A light seemed to rise here in the spray out of the sea itself. I looked down and it was like looking into a deep dark green glass. And then—suddenly—somebody came up behind me and pushed me in.
As I am writing this story it will be evident that I survived, and I cannot hope to convey what the experience was like, how long it was, how terrible, how hopeless: a primal experience of a total loss of hope. Falling, what the child fears, what the man dreads, is itself the image of death, of the defencelessness of the body, of its frailty and mortality, its absolute subjection to alien causes. Even in a harmless fall in the road there is a little moment of horror when the faller realizes that he cannot help himself; he has been taken over by a relentless mechanism and must continue with it to the end and be subject to the consequences. ‘There is nothing more I can do.’ How long, how infinitely expansible, a second is when it contains this thought, which is an effigy of death. A complete fall into the void, something which I had often imagined on aeroplanes, is of course the most terrible thing of all. Hands, feet, muscles, all the familiar protective mechanisms of the body are suddenly useless. The enmity of matter is unleashed against the frail breakable crushable animal form, always perhaps an alien in this hard mineral gravitational scene.
It was as if each part of the body experienced its separate despair. My back and waist felt the dreadful imprint of the hands which with great sudden violence and indubitable intent propelled me over the edge. My hands reached out in vain for something to clasp. My feet, still touching the rock with which they were parting company, jerked in a weak useless spasm, a last ghostly attempt to retain balance. Then they were jerking in empty space and I was falling head downward, as if my head and shoulders were made of lead. At the same time I felt, or thought as a kind of final thought, the fragility of my head and even knew that my hands were now trying to protect it. My trunk twisted sickeningly, trying in vain to make sense of its position. I actually saw, in the diffused midsummer darkness-light, the creamy curling waves just below me, and the particular spiral of their movement in the confined space. Then I was in the water whose intense cold surprised me with a separate shock, and I made the instinctive swimmer’s movement of trying to right myself; but my body was aware that no swimming could take place in that vortex. I felt as if my neck were breaking as I looked up to see a dome of dark faintly