The Sea, The Sea - Iris Murdoch [21]
I say ‘my friends’: but how few, as I take stock, they really are after a lifetime in the theatre. How friendly and ‘warm-hearted’ the theatre can seem, what a desolation it can be. The great ones have gone from me: Clement Makin dead, Wilfred Dunning dead, Sidney Ashe gone to Stratford, Ontario, Fritzie Eitel successful and done for in California. A handful remain: Perry, Al, Marcus, Gilbert, what’s left of the girls . . . I am beginning to ramble. It is evening. The sea is golden, speckled with white points of light, lapping with a sort of mechanical self-satisfaction under a pale green sky. How huge it is, how empty, this great space for which I have been longing all my life.
Still no letters.
The sea is noisier today and the seagulls are crying. I do not really like silence except in the theatre. The sea is agitated, a very dark blue with white crests.
I went out looking for driftwood as far as the little stony beach. The tide was low, so I could not swim off the tower steps, and until I can get some handholds fixed I think I shall shun my ‘cliff’ except in calm weather. I swam at the beach but it was not a success. The pebbles hurt my feet and I had great difficulty in getting out, since the beach shelves and the waves kept tumbling the pebbles down against me. I came back really cold and disgruntled, and forgot the wood which I had collected.
I have now had lunch (lentil soup, followed by chipolata sausages served with boiled onions and apples stewed in tea, then dried apricots and shortcake biscuits: a light Beaujolais) and I feel better. (Fresh apricots are best of course, but the dried kind, soaked for twenty-four hours and then well drained, make a heavenly accompaniment for any sort of mildly sweet biscuit or cake. They are especially good with anything made of almonds, and thus consort happily with red wine. I am not a great friend of your peach, but I suspect the apricot is the king of fruit.)
I shall now go and have an afternoon rest.
It is night. Two oil lamps, purring very faintly, shed a calm creamy light upon the scratched and stained surface of what was once a fine rosewood table, the erstwhile property of Mrs Chorney. This is my working table, at the window of the drawing room, though I also use the little folding table, which I have brought in from the ‘inner room’, to lay out books and papers. I have had to shut the window against the moths, huge ones with beige and orange wings, who have been coming in like little helicopters. The lamps, there are