The Sea, The Sea - Iris Murdoch [262]
I pulled myself up, knelt, and began to shake my blankets and my pillow which were wet with dew. Then I heard, odd and frightening in that total stillness, a sound coming from the water, a sudden and quite loud splashing, as if something just below the rock were about to emerge, and crawl out perhaps onto the land. I had a moment of sheer fear as I turned and leaned towards the sea edge. Then I saw below me, their wet doggy faces looking curiously upward, four seals, swimming so close to the rock that I could almost have touched them. I looked down at their pointed noses only a few feet below, their dripping whiskers, their bright inquisitive round eyes, and the lithe and glossy grace of their wet backs. They curved and played a while, gulping and gurgling a little, looking up at me all the time. And as I watched their play I could not doubt that they were beneficent beings come to visit me and bless me.
Postscript:
LIFE GOES ON
THAT NO DOUBT is how the story ought to end, with the seals and the stars, explanation, resignation, reconciliation, everything picked up into some radiant bland ambiguous higher significance, in calm of mind, all passion spent. However life, unlike art, has an irritating way of bumping and limping on, undoing conversions, casting doubt on solutions, and generally illustrating the impossibility of living happily or virtuously ever after; so I thought I might continue the tale a little longer in the form once again of a diary, though I suppose that, if this is a book, it will have to end, arbitrarily enough no doubt, in quite a short while. In particular I felt I ought to go on so as to describe James’s funeral, although really James’s funeral was such a non-event that there is practically nothing to describe. Then I felt too that I might take this opportunity to tie up a few loose ends, only of course loose ends can never be properly tied, one is always producing new ones. Time, like the sea, unties all knots. Judgments on people are never final, they emerge from summings up which at once suggest the need of a reconsideration. Human arrangements are nothing but loose ends and hazy reckoning, whatever art may otherwise pretend in order to console us.
As I write this it is August, not the yellow Provençal August of the English imagination, but an ordinary cool London August with the wind beating down the Thames at the end of the street. For, yes, I am living in James’s flat. From a legal point of view it is my flat, but of course it remains really James’s. I dare not alter anything, I scarcely dare to move anything. The idols of ‘superstition’ surround me. I have ventured to put some of the odder ‘fetishes’ away in a cupboard, I hope they will not mind, and I took down the glass pendants in the hall because their tinkling disturbed my sleep. But the ornate wooden box with the captive demon inside is still perched on its bracket. (James never denied that there was a demon in it. He merely laughed when I asked him.) The innumerable Buddhas are still in their places, except for one that I gave to Toby Ellesmere because he seemed annoyed at not being mentioned in James’s will. The will left everything to me and, should I predecease him, to the British Buddhist Society. I gave them a Buddha too.
Another peevish shifty letter from the house agent today. Shruff End is up for sale. I never spent another night there after the night of the stars when the seals came in the morning. While sorting out my belongings for removal I stayed at the Raven Hotel. I could see the tower from my bedroom but not the house. No one seems to want to buy the place, perhaps because of the dampness, perhaps for other reasons. The Arkwrights at Amorne Farm, who have the key, said they would get the roof mended, but according to the agent have not done so. Fortunately I do not need