The Sea, The Sea - Iris Murdoch [91]
I clambered over the rocks until the house was invisible and found, very close to the sea and just above it, a long shallow depression where I had sunbathed once or twice in the prehistoric days. The night was very warm, very still, and as I put my glasses in a place of safety and composed myself for sleep I wondered sadly why it had never occurred to me to sleep out here in the days when I was happy. It was so close to the sea which was gently slapping the rock just below, it was like being in a boat. And as my rocky bed sloped a little down towards the water, I could lie with my head on a cushion, looking straight out at the horizon, where the moon was making an almost but not quite motionless rift of silver. The first stars were already sharp and bright. More stars were coming, more, more. Lying on my back, wrapped in my rug, my hands clasped in front of me, I prayed that all might be well between me and Hartley, that somehow that lifelong faithful remembering, what I now thought of as my mystical marriage, might not be lost or wasted, but somehow come to good! And then, as if the spirit that I prayed to had admonished me in reply, I tried to put myself out of the picture and to pray only for Hartley: that she might be happy, that Titus might come home, that her husband might love her and she him. This was more difficult. In fact it was so difficult that the temptation of which I had been aware earlier, and which I had so firmly driven away, began to creep in again from the side, however hard I tried to think only good thoughts. Is her husband, Fitch, Ben, whatever his name is, a jealous tyrant, is he the cause of her unhappiness? If so then perhaps . . . ? I decided at last that if there was no letter from Hartley in the morning I would call at the bungalow and damn the consequences. Because . . . I had to know . . . the answer . . . to that question.
Then I found that I was not thinking about Hartley any more, but about my mother. I saw her face covered with wrinkles of anxiety and disapproval and love. Then I was seeing Aunt Estelle, wearing a little round straw hat, sitting at the wheel of the white Rolls-Royce. I know that it excited my father to see her drive that big car. It excited Uncle Abel. It excited me. Aunt Estelle wearing a broad band round her head like a ‘fillet’, which we used to make such silly jokes about at school when we were translating Latin. She played tennis so well. They had a hard court at Ramsdens. How was it that she resembled James, she so pretty, so gay, he with his silences and his occluded lowering face? Some gauzy mask of similarity had been put over his head, like the Hartley-mask that so many women had worn for me through the years, even that funny old woman in the village who was so unlike her. But had I forgotten already, that funny old woman was Hartley! Then was James really Aunt Estelle? Now Aunt Estelle was dancing on a dark rotating gramophone record, dancing in the middle where the label was, and somehow she was the label, a face, with torn paper, torn paper, turning and turning with the record. And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them