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The Secret History - Donna Tartt [187]

By Root 2453 0
lying awake drunk with a horrible taste of tequila in my mouth and worrying about clothing filaments, fingerprints, strands of hair. All I knew about autopsies was what I had seen on reruns of “Quincy,” but somehow it never occurred to me that my information might be inaccurate because it came from a TV show. Didn’t they research these things carefully, have a consulting physician on the set? I sat up, turned on the lights; my mouth was stained a ghastly blue. When the drinks came up in the bathroom they were brilliant-hued, perfectly clear, a rush of vibrant acid turquoise the color of Ty-D-Bol.

But Henry, free as he was to observe the Corcorans in their own habitat, soon figured out what was going on. Francis was so impatient with his happy news that he did not even wait for Tracy and Judy to leave the room but told me immediately, in sloppily inflected Greek, while sweet dopey Tracy wondered aloud at our wanting to keep up our schoolwork at a time like this.

“Do not fear,” he said to me. “It is the mother. She is concerned with the dishonor of the son having to do with wine.”

I did not understand what he meant. The form of “dishonor” () that he used also meant “loss of civil rights.” “Atimia?” I repeated.

“Yes.”

“But rights are for living men, not for the dead.”

“Oiμ,” he said, shaking his head. “Oh, dear. No. No.”

He cast about, snapping his fingers, while Judy and Tracy looked on in interest. It is harder to carry on a conversation in a dead language than you might think. “There has been much rumor,” he said at last. “The mother grieves. Not for her son,” he added hastily, when he saw I was about to speak, “for she is a wicked woman. Rather she grieves for the shame which has fallen on her house.”

“What shame is this?”

“Oivov,” he said impatiently. “. She seeks to show that his corpse does not hold wine” (and here he employed a very elegant and untranslatable metaphor: dregs in the empty wineskin of his body).

“And why, pray tell, does she care?”

“Because there is talk among the citizens. It is shameful for a young man to die while drunk.”

This was true, about the talk at least. Mrs. Corcoran, who previously had put herself at the disposal of anyone who would listen, was angry at the unflattering position in which she now found herself. Early articles, which had depicted her as “well-dressed,” “striking,” the family “perfect,” had given way to snide and vaguely accusatory ones of the ilk of MOM SEZ: NOT MY KID. Though there was only a poor beer bottle to suggest the presence of alcohol, and no real evidence of drugs at all, psychologists on the evening news spoke of dysfunctional families, the phenomenon of denial, pointed out that addictive tendencies were often passed from parent to child. It was a hard blow. Mrs. Corcoran, leaving Hampden, walked through the crush of her old pals the reporters with her eyes averted and her teeth clenched in a brilliant hateful smile.

Of course, it was unfair. From the news accounts one would have thought Bunny the most stereotypical of “substance abusers” or “troubled teens.” It did not matter a whit that everyone who knew him (including us: Bunny was no juvenile delinquent) denied this; no matter that the autopsy showed only a tiny percentage of blood alcohol and no drugs at all; no matter that he was not even a teenager: the rumors—wheeling vulture-like in the skies above his corpse—had finally descended and sunk in their claws for good. A paragraph which blandly stated the results of the autopsy appeared in the back of the Hampden Examiner. But in college folklore he is remembered as a stumbling teen inebriate; his beery ghost is still evoked in darkened rooms, for freshmen, along with the car-crash decapitees and the bobby soxer who hanged herself in Putnam attic and all the rest of the shadowy ranks of the Hampden dead.

The funeral was set for Wednesday. On Monday morning I found two envelopes in my mailbox: one from Henry, the other from Julian. I opened Julian’s first. It was postmarked New York and was written hastily, in the red pen he used for correcting

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