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The Secret Life of Pronouns_ What Our Words Say About Us - James W. Pennebaker [3]

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revolution, we now have the tools to analyze tweets and Facebook updates, e-mails, old-fashioned letters and books, and the words from everyday life. For the first time, we are able to use computers to determine how everyday words can reflect our social and psychological states.

Who, for example, would have ever predicted that the high school student who uses too many verbs in her college admissions essay is likely to make lower grades in college? Or that the poet who overuses the word I in his poetry is at higher risk of suicide? Or that a certain world leader’s use of pronouns could reliably presage whether he’d lead his country into war? By looking more carefully at the ways people convey their thoughts in language we can begin to get a sense of their personalities, emotions, and connections with others.

WHEN SOCIAL PSYCHOLOGY AND LANGUAGE MEET

Before describing the secret life of words, it may be helpful to say a bit about the author. That would be me. I’m a social psychologist whose interest in words came about almost accidentally. As you will see, the focus of this book is really on people rather than language per se. Words and language are, of course, fascinating topics. Through the eyes of a social psychologist, words are even more intriguing as clues to the inner workings of people.

By way of background, my early career dealt with health, emotions, and the nature of traumatic experiences. In the early 1980s, I stumbled on a finding that fascinated me. People who reported having a terrible traumatic experience and who kept the experience a secret had far more health problems than people who openly talked about their traumas. Why would keeping a secret be so toxic? More importantly, if you asked people to disclose emotionally powerful secrets, would their health improve? The answer, my students and I soon discovered, was yes.

We began running experiments where people were asked to write about traumatic experiences for fifteen to twenty minutes a day for three or four consecutive days. Compared to people who were told to write about nonemotional topics, those who wrote about trauma evidenced improved physical health. Later studies found that emotional writing boosted immune function, brought about drops in blood pressure, and reduced feelings of depression and elevated daily moods. Now, over twenty-five years after the first writing experiment, more than two hundred similar writing studies have been conducted all over the world. While the effects are often modest, the mere act of translating emotional upheavals into words is consistently associated with improvements in physical and mental health.

IN SEARCH OF A THEORY TO EXPLAIN THE POWER OF WRITING

Why does writing work? Some scientists suggest that repeatedly confronting painful emotions eventually lessens their impact—we adapt to them. Another group points to the unhealthy effects of rumination and unfinished business. Many people who have a traumatic experience keep replaying the events in their minds in a futile attempt to make sense of their suffering. The never-ending thoughts about their emotional upheavals can disrupt their sleep and make it impossible to focus on their jobs and their relationships. Writing about the trauma, according to this view, allows people to find meaning or understanding in these events and helps to resolve their emotional turmoil.

The answer isn’t simple. I’m now convinced that when people write about traumatic events, several healthy changes occur simultaneously, including changes in people’s thinking patterns, emotional responses, brain activity, sleep and health behaviors, and so forth. Discovering why writing is effective for one person may not explain why it works for someone else.

What the early writing researchers failed to consider was that people were using words to describe their personal upheavals. Perhaps the key to expressive writing was buried in what people actually say in their essays. The stories people wrote were powerful and oftentimes haunting. In almost every project, participants wrote about

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