The Sheltering Sky - Bowles, Paul [52]
In front of the musicians in the middle of the floor a girl was dancing, if indeed the motions she made could properly be called a dance. She held a cane in her two hands, behind her head, and her movements were confined to her agile neck and shoulders. The motions, graceful and of an impudence verging on the comic, were a perfect translation into visual terms of the strident and wily sounds of the music. What moved him, however, was not the dance itself so much as the strangely detached, somnambulistic expression of the girl. Her smile was fixed, and, one might have added, her mind as well, as if upon some object so remote that only she knew of its existence. There was a supremely impersonal disdain in the unseeing eyes and the curve of the placid lips. The longer he watched, the more fascinating the face became; it was a mask of perfect proportions, whose beauty accrued less from the configuration of features than from the meaning that was implicit in their expression-meaning, or the withholding of it. For what emotion lay behind the face it was impossible to tell. It was as if she were saying: “A dance is being done. I do not dance because I am not here. But it is my dance.” When the piece drew to its conclusion and the music had stopped, she stood still for a moment, then slowly lowered the cane from behind her head, and tapping vaguely on the floor a few times, turned and spoke to one of the musicians. Her remarkable expression had not changed in any respect. The musician rose and made room for her on the floor beside him. The way he helped her to sit down struck Port as peculiar, and all at once the realization came to him that the girl was blind. The knowledge hit him like an electric shock; he felt his heart leap ahead and his head grow suddenly hot.
Quickly he went back into the other room and told Mohammed he must speak with him alone. He hoped to get him into the courtyard so as not to be obliged to go through his explanation in front of the girls, even though they spoke no French. But Mohammed was disinclined to move. “Sit down, my dear friend,” he said, pulling at Port’s sleeve. Port, however, was far too concerned lest his prey escape him to bother being civil. “Non, non, non!” he cried. “Viens vite!” Mohammed shrugged his shoulders in deference to the two girls, rose and accompanied him into the courtyard, where they stood by the wall under the light. Port asked him first if the dancing girls were available, and felt his spirits fall when Mohammed told him that many of them had lovers, and that in such cases they merely lived in the house as registered prostitutes, using it only as a home, and without engaging in the profession at all. Naturally those with lovers were given a wide berth by everyone else. “Bsif Forcement! Throats are sliced for that,” he laughed, his brilliant red gums gleaming like a dentist’s model in wax. This was an angle Port had not considered. Still, the case merited a determined effort. He drew Mo. hammed over near the door of the adjacent cubicle, in which she sat, and pointed her