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The Sheltering Sky - Bowles, Paul [72]

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by the patent impossibility of his engaging in an actual conversation with Kit. It appeared that in his eyes a noun alone or a verb uttered with feeling was sufficient, and she seemed to be of the same mind. He told her, with the usual Arab talent for making a legend out of a mere recounting of facts, about El Ga’a and its high walls with their gates that shut at sunset, its quiet dark streets and its great market where men sold many things that came from the Soudan and from even farther away: salt bars, ostrich plumes, gold dust, leopard skins-he enumerated them in a long list, unconcernedly using the Arabic term for a thing when he did not know the French. She listened with complete attention, hypnotized by the extraordinary charm of his face and his voice, and fascinated as well by the strangeness of what he was talking about, the odd way he was saying it.

The terrain now was a sandy wasteland, strewn with occasional tortured bush-like trees that crouched low in the virulent sunlight. Ahead, the blue of the firmament was turning white with a more fierce glare than she had thought possible: it was the air over the city. Before she knew it, they were riding along beside the gray mud walls. The children cried out as the bus went past, their voices like bright needles. Port’s eyes were still shut; she decided not to disturb him until they had arrived. They turned sharply to the left, making a cloud of dust, and went through a big gate into an enormous open square-a sort of antechamber to the city, at the end of which was another gate, even larger.

Beyond that the people and animals disappeared into darkness. The bus stopped with a jolt and the driver got out abruptly and walked away with the air of wishing to have nothing further to do with it. Passengers still slept, or yawned and began looking about for their belongings, most of which were no longer in the places where they had put them the night before.

Kit indicated by word and gesture that she and Port would stay where they were until everyone else had left the vehicle. The young Arab said that in that event he would, too, because she would need him to help take Port to the hotel. As they sat there waiting for the leisurely travelers to get down, he explained that the hotel was across the town on the side by the fort, since it was operated exclusively for the few officers who did not have homes, it being very rare that anyone arriving by bus had need of a hotel.

“You are very kind,” she said, sitting back in her seat.

“Yes, madame.” His face expressed nothing but friendly solicitousness, and she trusted him implicitly.

When at last the bus was empty save for the debris of pomegranate peel and date pits on the floor and seats, he got out and called a group of men to carry the bags.

“We’re here,” said Kit in a loud voice. Port stirred, opened his eyes, and said: “I finally slept. What a hellish trip. Where’s the hotel?”

“It’s somewhere around,” she said vaguely; she did not like to tell him that it was on the other side of the city.

He sat up slowly. “God, I hope it’s near. I don’t think I can make it if it isn’t. I feel like hell. I really feel like hell.”

“There’s an Arab here who’s helping us. He’s taking us there. It seems it isn’t right here by the terminal.” She felt better letting him discover the truth about the hotel from the Arab; that way she would remain uninvolved in the matter, and whatever resentment Port might feel would not be directed against her.

Outside in the dust was the disorder of Africa, but for the first time without any visible sign of European influence, so that the scene had a purity which had been lacking in the other towns, an unexpected quality of being complete which dissipated the feeling of chaos. Even Port, as they helped him out, noticed the unified aspect of the place. “It’s wonderful here,” he said, “what I can see of it, anyway.”

“What you can see of it!” echoed Kit. “Is something wrong with your eyes?”

“I’m dizzy. It’s a fever, I know that much.”

She felt his forehead, and said nothing but: “Well, let’s get out of

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