The shelters of stone - Jean M. Auel [100]
After a while, Ayla got up. From a travel pack she took a small wooden bowl and poured some water into it from the waterbag. Wolf had retreated to his chosen corner near the entrance and greeted her with his usual tentative approach after their Pleasures. She smiled at him and gave him the signal that he had done well; then, standing over the night basket, she cleaned herself as Iza had taught her when she first became a woman. Iza, I know you doubted that I would have need of the training, she thought, but you were right to teach me the cleansing rituals then.
Jondalar was half-asleep when she went back to bed. He’d been too tired to get up, but she’d air out and brush off their sleeping roll to clean it in the morning. Now that they were going to stay in one place for a while, she would even have time to wash their furs, she thought. Nezzie had shown her how to do it, but it took time and care.
Ayla rolled over on her side and Jondalar cuddled up be hind her, resting on his side. They were nestled together like two spoons on edge, and he fell asleep holding her, but she was unable to nod off, although she was comfortable and satisfied. She had slept much later than usual that morning, and as she lay awake, she began thinking about the Clan and the Others again. Recollections of her life with them and her stays with various groups of Others kept coming to her mind, and she found herself making comparisons.
The same kinds of materials were at hand for both peoples, but the uses to which they had been put were not quite the same. Both hunted animals, both gathered foods that grew, and both used hides, bones, vegetal materials, and stones for clothing, shelter, implements, and weapons, but there were differences.
Perhaps the most noticeable was that while Jondalar’s people decorated their environment with paintings and carvings of animals and designs, the people of the Clan did not. Though she didn’t quite know how to explain it, even to herself, she did perceive that people of the Clan expressed the beginnings of such decoration. Red ochre in a burial, for example, that imparted color to the body. Their interest in unusual objects that they collected to put in their amulets. Totem scars and color markings made on the body for special purposes. But the primeval people of the Clan created no legacy of art.
Only Ayla’s kind of people did; only people like the Mamutoi and the Zelandonii, and the rest of the Others they had met on their Journey. She wondered if the unknown people to whom she had been born decorated the material objects in their world, and she believed they did. It was the ones who came later, the ones who shared that cold ancient world with the Clan for a time, the ones they called the Others, who were the first to see an animal in a moving, living, breathing form and reproduce it as a drawing or a carving. It was a profound distinction.
The creation of art, the delineation of animals or purposeful markings, was an expression of the ability to make abstractions—the ability to take the essence of a thing and make of it a symbol that stands for the thing itself. The symbol for a thing has another form as well: a sound, a word. A brain that could think in terms of art was a brain capable of developing to its fullest potential another abstraction of great significance: language. And the same brain that was capable of creating a synthesis of the abstraction of art and the abstraction of language would someday form a synergism of both symbols, in effect, a memory of the words: writing.
Unlike the day before, Ayla opened her eyes very early the next morning. No red coals glowed in the fireplace and all the lamps were out, but she could discern