The shelters of stone - Jean M. Auel [261]
“Yes, I like that,” Zelandoni of the Third said. “That way we could have the ceremonial fire from the beginning.”
“And a cold fireplace ready to be lit would make people curious. They’d wonder what it was for, and that would build up some anticipation,” Zelandoni of the West Holding of the Twenty-ninth said.
“How should we put the fire out? Douse it with water and make a lot of steam?” the Eleventh said. Or dump dirt on it and make it go out instantly?”
Or dump mud on it?” one of the others, whom Ayla hadn’t met, suggested. “Create a little steam, but kill the coals.”
“I like the idea of using water and making lots of steam,” said another one that Ayla didn’t know. “That would be more impressive.”
“No, I think putting it out instantly would be more impressive. Light one moment, dark the next.”
She hadn’t met all the Zelandonia who were there, and as the discussion became more animated, they didn’t always address one another as formally, and she wasn’t able to identify them. She’d had no idea how much planning and consultation went into a ceremony. She always thought that the events just happened spontaneously, that the zelandonia and others who dealt with the spirit world were just agents of those invisible forces. They spoke out freely, and she began to appreciate why some had objected to her presence, but as they discussed each little detail, Ayla’s mind began to stray.
She wondered if the mog-urs of the Clan planned their ceremonies with as much detail, then realized that they probably did, but it would not have been quite the same. Clan ceremonies were ancient, and were always done the way they had always been done, or as close to it as possible. She understood a little more now what a dilemma it must have been when Creb, The Mog-ur, wanted her to take a significant part in one of their most sacred ceremonies.
She looked around the large round summer lodge of the zelandonia. The double-walled circular construction of vertical panels that enclosed the space was similar to the sleeping lodges at the camp of the Ninth Cave, but larger. The movable interior panels that divided the interior into separate areas had been stacked in between sleeping places near the outer walls, creating a single large room. She noticed that the sleeping places were clustered together in one location and that they were all raised, and she recalled that they were also raised in Zelandoni’s lodge at the Ninth Cave. She wondered why, then thought that it was probably because when they were used by patients that had to be brought to the zelandonia lodge, it was easier to tend to them.
The ground was covered with mats, many of them woven with intricate and beautiful patterns, and various pads, pillows, and stools used for seating were scattered around near several low tables of various sizes. Most of them were graced with oil lamps usually made of sandstone or limestone that were, as a rule, lit day and night inside the windowless shelter, many with multiple wicks. Most of the lamps were carefully shaped, smoothed, and decorated, but like the lamps in Marthona’s dwelling, some were crude stones with naturally formed or roughly pecked-out depressions for the melted tallow. Near many of the lamps she saw small carvings of women, propped up in woven bowls of sand. They were all similar, yet different. She had seen several like them and knew they were representations of the Great Earth Mother, what Jondalar called donii.
The donii ranged in size from about four inches to eight inches in height, but each one could be held in a hand. There was some abstraction and exaggeration. The arms and hands were barely suggested, and the legs tapered together with no real feet so the woman figure could be stuck into the ground, or a bowl of sand, and stand upright. It was not a carving of a particular person, there were no features to give identity, though the body may have been suggested by a woman known to the artist. She was not a high-breasted, nubile young woman, at the beginning of her