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The Shroud Codex - Jerome R. Corsi [101]

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her to be in her early sixties. He had to admit she looked attractive in the gray pinstriped pantsuit she wore for the occasion, instead of her more customary white lab coat. Her shoulder-length silver hair blended nicely with her distinctive gray eyes. By training, Dr. Bucholtz was a Ph.D.-level physicist who studied at the Technische Universität München, or Technical University in Munich, one of Germany’s most highly acclaimed research universities in chemistry, engineering, physics, and mathematics. After graduation, she joined the physics faculty at the University of Heidelberg, where she remained until 1990, when she accepted a full-time senior research position at CERN.

Dr. Castle took the opportunity to introduce the others to Dr. Bucholtz as they took their seats in the conference room to watch her presentation.

“Do you mind if we video your presentation, Dr. Bucholtz?” Fernando Ferrar asked.

“No,” she answered. “I have no objection whatsoever. The Holy Father when he spoke to me yesterday from the Vatican expressly asked my permission.

“Thank you for coming here today,” she began, addressing Castle and others. “After Professor Gabrielli’s most interesting presentation yesterday in Bologna, the Vatican called and asked me if I would be willing to share with you the results of the research I have been doing on the Shroud of Turin for the past ten years. It may surprise you that a physicist like myself with a specialty in advanced particle physics should take an interest in the Shroud of Turin, but I estimate that after you view my presentation you will understand what drew my interest.”

Castle was not surprised. Father Bartholomew was also a particle physicist. Castle assumed Bartholomew and Bucholtz shared a lot of scientific perspectives and conclusions.

With this, an assistant in the back of the room lowered the lights. Bucholtz had projected from the computer a photograph of the Shroud of Turin displayed in the specially built vacuum-sealed display case in the Chapel of the Shroud in the Cathedral of St. John the Baptist in Turin. “As you know, the Shroud is a relatively ordinary piece of linen, but what I want to explain to you here today is why I have concluded that the Shroud contains a quantum message that we can only begin to decipher with the advance equipment we have here at a world-class particle physics research laboratory such as CERN. You will have to trust me for now when I claim that the Shroud is a blueprint to a completely new understanding of our universe, an understanding for which we will have to invent a completely new science of physics.”

This got everyone’s immediate attention, particularly Castle’s. What did Dr. Bucholtz mean by a “quantum message”? What type of advanced equipment had Dr. Bucholtz used to decode the message she claimed to have read in the Shroud? What new “blueprint” could this ancient relic possibly contain? Castle was not sure. Neither was any of the other guests in the room.

“I want to start by showing you some images that were developed by Dr. John Jackson and Dr. Eric Jumper in 1976. Dr. Jackson, then an air force officer, was working as a physicist at the U.S. Air Force Academy while Dr. Jumper was an air force captain working as an assistant professor of aerodynamics with Dr. Jackson. At that time, they were utilizing a NASA-developed VP-8 Image Analyzer that was designed in the 1960s to create relief maps of the moon from astronomical photographs. Their goal was to produce topographic images that would be useful to NASA and to the U.S. astronauts preparing for moon landings. Dr. Jackson, as I am sure most of you know, went on to be a primary organizer and scientific leader of the thirty or so scientists he assembled to make up the 1978 Shroud of Turin Research Project. At present, Dr. Jackson heads the Turin Shroud Center of Colorado, with his wife, Rebecca, in Colorado Springs.”

Next, Dr. Bucholtz displayed on the screen a copy of the 1931 photograph Giuseppe Enrie had taken of the Shroud of Turin.

“When Jackson and Jumper placed this famous 1931 photograph

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