The Silent Cry - Anne Perry [159]
Rathbone worked until six in the morning, and after two hours’ sleep, a hot bath and breakfast, he faced the courtroom again. There was no air of expectation. There were even some empty seats in the spectators’ gallery. The trial had degenerated from high drama into simple tragedy. It was not interesting anymore.
Rathbone had had messengers out all night. Monk was in court.
In the dock, Rhys looked white and ill. He was obviously in physical pain as well as mental turmoil, although there was now an air of despair about him which made Rathbone believe he no longer hoped for anything except an end to his ordeal.
Sylvestra sat like a woman in a nightmare, unable to move or speak. Beside her on one side was Fidelis Kynaston, on the other Eglantyne Wade. Rathbone was pleased she would not be alone, and yet possibly having to hear the things she was going to in the company of friends would be harder. One might wish to absorb such shock in the privacy of solitude, where one could weep unobserved.
Yet everyone would know. It was not as if she could cover it, as one can some family secrets. Perhaps better she heard it in court than whispered, distorted by telling and retelling. Either way, Rathbone had no choice in the matter. He had not told Sylvestra what he expected to uncover that day. She was not his client, Rhys was. Anyway, he had had no time, no opportunity to explain to her what it was he knew, and he could not foresee what his witnesses would testify; he simply had nothing to lose on Rhys’s behalf.
“Sir Oliver?” the judge prompted.
“My lord,” Rathbone acknowledged. “The defense calls Mrs. Vida Hopgood.”
The judge looked surprised, but he made no remark. There was a slight stir of movement in the crowd.
Vida took the stand looking nervous, her chin high, her shoulders squared, her magnificent hair half hidden under her hat.
Rathbone began immediately. He was hideously unsure of her, but he had had no time to prepare. He was fighting for survival and there was nothing else.
“Mrs. Hopgood, what is your husband’s occupation?”
“ ’E ’as a fact’ry,” she replied carefully. “Wot makes shirts an’ the like.”
“And he employs women to sew these shirts … and the like?” Rathbone asked.
In the gallery someone tittered. It was nervousness. They could not be any more highly strung than he was.
“Yeah,” Vida agreed.
Ebenezer Goode rose to his feet.
“Yes, Mr. Goode,” the judge said, forestalling Goode’s objection. “Sir Oliver, has Mr. Hopgood’s occupation got anything to do with Mr. Duff’s guilt or innocence in this case?”
“Yes, my lord,” Rathbone replied without hesitation. “The women he employs are profoundly pertinent to the issue. Indeed, they are the true victims in this tragedy.”
There was a ripple of amazement around the room. Several of the jurors looked confused and annoyed.
In the dock, Rhys moved position and a spasm of pain twisted his face. The judge also seemed unhappy. “If you are going to demonstrate to the court that they were abused in some way, Sir Oliver, that will not help your client’s cause. The fact that they can, or cannot, identify their assailants will distress them and give you nothing. In fact, it will only damage your client’s sympathies still further. If it is your intention to plead insanity, then practical evidence is required, and of a very specific nature, as I am sure you know very well. You have pleaded ‘not guilty.’ Are you now wishing to change that plea?”
“No, my lord.” Rathbone heard his words drop into a well of silence, and wondered if he had just made an appalling mistake. What was Rhys himself thinking of him? “No, my lord. I have no cause to believe that my client is not of sane mind.”
“Then proceed with questioning Mrs. Hopgood,” the judge directed. “But come to your point as rapidly as you are able. I shall not allow you to waste the court’s time and patience with delaying tactics.”
Rathbone knew how very close to the