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The Sojourn - Andrew Krivak [7]

By Root 294 0
and static vision of the woman, who appeared somehow meek and stern in the same stilted pose, entered my memory from early on, and it was on the crossing back to Europe that I had—I hesitate to call it a dream, I was so young, but the memory of her in my presence then is strong to this day—the first dream of her that I can remember. She didn’t speak and she didn’t move; she just stood before me, radiant and iconic, her arms outstretched without beckoning, as though having held something she had just let go. Only her face was changed. Instead of the motionless and serious demeanor the photograph held, her features wavered and I felt anticipation that she would speak and move, and that if I woke, I would find her among us, as she had been once before, living and breathing and whispering to me.

But even as my father sought, for his own reasons, to give some life to that lifeless past on an early summer evening in June 1916, while dusk settled, too, upon the whole of the Austro-Hungarian Empire, it came too late for me to understand or even forgive him, spent and weakened and alone that he was in the light of the candle flame around which we sat in our village hut while he talked and drank plum brandy and told me of what he had done and wanted to do in those last few months of life in America, before he took me to the old country. Over the years of my youth and young manhood there, he had decreased while I struggled to increase, bent that I was on the promise of a journey to the edge of the culture and land in which I had been raised and believed was my own (although I was, in truth, a stranger), with the imagined valor of heroic battles, and the thought that death would be a thing I doled out to others who dared resist. For, by the time I had heard the story of my birth, and my father’s leaving the land of my birth, war was imminent, and I was hungry to call myself Infanterist, Frontkämpfer, Soldat. Anything. Anything but the son of the shepherd, because shepherd was all that my father—once he returned to Pastvina—wanted to be, and I wanted to become what he was not.

IF, WHEN WE, A LOST-LOOKING FATHER AND HIS RETICENT SON, first arrived in Pastvina in 1901, the people of our village had heard or whispered among themselves tales of prospecting and silver and the dangers—gunfights and murders—of the Wild West, stories they should expect a man who had seen that world to weave with suspense and nostalgia in their presence, they were soon forgotten, for there seemed nothing about Ondrej Vinich’s attitude or demeanor (against the fiery young man intent on leaving Pastvina to make his fortune) to suggest that he’d ever lived one of those storied lives, but in fact seemed content and almost grateful to have to take up what was the loneliest existence a man could live in that part of the old country. Which is strange, when I think about those villagers and how they seemed to cling to one another and yet blame one another for the harsh lot from which not one of them could escape.

“Someone who makes it to America,” my stepmother used to rail, harridan that she was, “and you come back! With barely enough to keep a house and pasture other people’s sheep, while I’m left here to do all the work and raise my sons?”

I hear her now, old Borka, for that voice embodied my own fears as a boy, fear of loneliness, abandonment, and starvation, fear I struggled at any cost to overcome.

Every family in Pastvina had a child who died before the age of two from disease or malnutrition, because there were other, stronger children who might survive. Houses had straw roofs and a single fire for warmth, so that inside it was either bitter cold or so choked with smoke that you’d rather freeze outside than suffocate in. There was meat when someone slaughtered livestock, snared a rabbit, or (as my father could) shot a deer. Vegetables in the summer, but only potatoes, coarse bread, and root plants in winter. Children who’d lost a father stayed close to their mothers, whose sole existence seemed to be the upkeep of whatever hut they were given to live

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