The Soul Catcher - Alex Kava [143]
He took the extra length of clothesline and bound her feet, pulling her legs out in front of her, safely away from her hands. Then he dropped three of the film canisters into her jacket pocket, so that now she had the film in one pocket and the book, his mother’s journal, in the other.
“They’ll be sending backup here any minute, Garrison,” she told him, trying desperately to remember if she had told anyone about stopping at his apartment. But she hadn’t. Not even Gwen. The old woman was the only one who knew.
“Why would you need backup?” He wasn’t even concerned, almost humored by the idea. “You said yourself, everyone is convinced that Everett is the murderer. He and his accomplice Brandon. Poor boy. His Achilles’ heel is that he doesn’t know how to fuck a woman.”
Garrison was back at the counter. He spoke with no sense of panic, no sense of urgency. Instead, he put the gun down and began assembling the tripod with careful, deliberate movements. “This isn’t exactly what I had in mind,” he said almost absently as if talking to himself now. “But what better way to go out than with one last hurrah.”
She needed to do something. He was setting the tripod up five feet directly in front of her, just as he had done with each of his victims.
“Yes, you really did have us all fooled,” she told him, hoping to get the attention of his overworked ego while she scanned the surroundings. Her gun lay against the opposite wall, about ten feet away. Too far away. With her hands in front—well, one good hand—she could grab something, anything and use it as a weapon. Her eyes searched. A lamp to her left. In the messy pile of clothing, a belt with a buckle. On the coffee table, some kind of African pottery.
Garrison snapped a new roll of film into the camera. Not much time. Damn it! She needed to concentrate. Needed to think. Needed to ignore the throbbing in her shoulder and the blood that continued to trickle down her sleeve. The camera was loaded. He began attaching it to the tripod and then unwinding some sort of cable, plugging one end in to the camera. A trip-cable, a release cable—that’s what it was—so he could snap the picture from several feet away. He didn’t need to be behind the camera, he didn’t need to even touch the camera. He could be strangling her into unconsciousness while he shot the picture.
She shifted her back closer to the wall. How long would it take to bend her knees? To shove against the wall and get to her feet? Even with them tied together, she could do it. But how long would it take?
He was checking the camera’s sight, tilting the tripod’s platform to adjust the camera’s angle. Maggie tried to ignore his preparations, his ritual, trying not to be alarmed by his calculating calm, by his steady and intent hands. Instead, her mind raced. Her eyes darted. Her damn arm throbbed and so did her heart, filling her ears with the constant thump, threatening to dismantle her thought process.
“I’ll go down in history for sure,” Garrison mumbled, adjusting shutter speed, assessing, then twisting the camera’s lens. Focusing, making another change. Readjusting the aperture. Checking again, preparing.
Maggie edged her knees up toward her chest, quietly, slowly. Garrison was too involved to notice, at times his back to her, blocking her view of the camera. He seemed lost in his process. He was quickly becoming the invisible cameraman.
“No one has attempted this. A self-portrait along with a fleeting soul caught on film…all in the timing.” His voice continued, his words becoming a sort of mantra of encouragement to himself. “And the angle,” he said. “It’s definitely the timing and the angle. Oh, yes, I’ll be famous. That’s for sure. Beyond my wildest dreams. Beyond my mother’s dreams.” He was caught up in the process, forgetting his victim, or rather