The Soul of the Far East [36]
the symposium of poets breaks up.
Sometimes, instead of a company of friends, a man will take his family, wife, babies, and all, on such an outing, but the details of his holiday are much the same as before. For the scenery is still the centre of attraction, and in the attendant creature comforts Far Eastern etiquette permits an equal enjoyment to man, woman, and child.
This love of nature is quite irrespective of social condition. All classes feel its force, and freely indulge the feeling. Poor as well as rich, low as well as high, contrive to gratify their poetic instincts for natural scenery. As for flowers, especially tree flowers, or those of the larger plants, like the lotus or the iris, the Japanese appreciation of their beauty is as phenomenal as is that beauty itself. Those who can afford the luxury possess the shrubs in private; those who cannot, feast their eyes on the public specimens. From a sprig in a vase to a park planted on purpose, there is no part of them too small or too great to be excluded from Far Oriental affection. And of the two "drawing-rooms" of the Mikado held every year, in April and November, both are garden-parties: the one given at the time and with the title of "the cherry blossoms," and the other of "the chrysanthemum."
These same tree flowers deserve more than a passing notice, not simply because of their amazing beauty, which would arrest attention anywhere, but for the national attitude toward them. For no better example of the Japanese passion for nature could well be cited. If the anniversaries of people are slightingly treated in the land of the sunrise, the same cannot be said of plants. The yearly birthdays of the vegetable world are observed with more than botanic enthusiasm. The regard in which they are held is truly emotional, and it not actually individual in its object, at least personal to the species. Each kind of tree as its season brings it into flower is made the occasion of a festival. For the beauty of the blossoming receives the tribute of a national admiration. From peers to populace mankind turns out to witness it. Nor are these occasions few. Spring in the Far East is one long chain of flower fetes, and as spring begins by the end of January and lasts till the middle of June, opportunities for appreciating each in turn are not half spoiled by a common contemporaneousness. People have not only occasion but time to admire. Indeed, spring itself is suitably respected by being dated conformably to fact. Far Orientals begin their year when Nature begins hers, instead of starting anachronously as we do in the very middle of the dead season, much as our colleges hold their commencements, on the last in place at on the first day of the academic term. So previous has the haste of Western civilization become. The result is that our rejoicing partakes of the incongruity of humor. The new year exists only in name. In the Far East, on the other band, the calendar is made to fit the time. Men begin to reckon their year some three weeks later than the Western world, just as the plum-tree opens its pink white petals, as it were, in rosy reflection of the snow that lies yet upon the ground. But the coldness of the weather does not in the least deter people from thronging the spot in which the trees grow, where they spend hours in admiration, and end by pinning appropriate poems on the twigs for later comers to peruse. Fleeting as the flowers are in fact, they live forever in fancy. For they constitute one of the commonest motifs of both painting and poetry. A branch just breaking into bloom seen against the sunrise sky, or a bough bending its blossoms to the bosom of a stream, is subject enough for their greatest masters, who thus wed, as it were, two arts in one,--the spirit of poesy with pictorial form. This plum-tree is but a blossom. Precocious harbinger of a host of flowers, its gay heralding over, it vanishes not to be recalled, for it bears no edible fruit.
The next event in the series might fairly be called phenomenal. Early in April
Sometimes, instead of a company of friends, a man will take his family, wife, babies, and all, on such an outing, but the details of his holiday are much the same as before. For the scenery is still the centre of attraction, and in the attendant creature comforts Far Eastern etiquette permits an equal enjoyment to man, woman, and child.
This love of nature is quite irrespective of social condition. All classes feel its force, and freely indulge the feeling. Poor as well as rich, low as well as high, contrive to gratify their poetic instincts for natural scenery. As for flowers, especially tree flowers, or those of the larger plants, like the lotus or the iris, the Japanese appreciation of their beauty is as phenomenal as is that beauty itself. Those who can afford the luxury possess the shrubs in private; those who cannot, feast their eyes on the public specimens. From a sprig in a vase to a park planted on purpose, there is no part of them too small or too great to be excluded from Far Oriental affection. And of the two "drawing-rooms" of the Mikado held every year, in April and November, both are garden-parties: the one given at the time and with the title of "the cherry blossoms," and the other of "the chrysanthemum."
These same tree flowers deserve more than a passing notice, not simply because of their amazing beauty, which would arrest attention anywhere, but for the national attitude toward them. For no better example of the Japanese passion for nature could well be cited. If the anniversaries of people are slightingly treated in the land of the sunrise, the same cannot be said of plants. The yearly birthdays of the vegetable world are observed with more than botanic enthusiasm. The regard in which they are held is truly emotional, and it not actually individual in its object, at least personal to the species. Each kind of tree as its season brings it into flower is made the occasion of a festival. For the beauty of the blossoming receives the tribute of a national admiration. From peers to populace mankind turns out to witness it. Nor are these occasions few. Spring in the Far East is one long chain of flower fetes, and as spring begins by the end of January and lasts till the middle of June, opportunities for appreciating each in turn are not half spoiled by a common contemporaneousness. People have not only occasion but time to admire. Indeed, spring itself is suitably respected by being dated conformably to fact. Far Orientals begin their year when Nature begins hers, instead of starting anachronously as we do in the very middle of the dead season, much as our colleges hold their commencements, on the last in place at on the first day of the academic term. So previous has the haste of Western civilization become. The result is that our rejoicing partakes of the incongruity of humor. The new year exists only in name. In the Far East, on the other band, the calendar is made to fit the time. Men begin to reckon their year some three weeks later than the Western world, just as the plum-tree opens its pink white petals, as it were, in rosy reflection of the snow that lies yet upon the ground. But the coldness of the weather does not in the least deter people from thronging the spot in which the trees grow, where they spend hours in admiration, and end by pinning appropriate poems on the twigs for later comers to peruse. Fleeting as the flowers are in fact, they live forever in fancy. For they constitute one of the commonest motifs of both painting and poetry. A branch just breaking into bloom seen against the sunrise sky, or a bough bending its blossoms to the bosom of a stream, is subject enough for their greatest masters, who thus wed, as it were, two arts in one,--the spirit of poesy with pictorial form. This plum-tree is but a blossom. Precocious harbinger of a host of flowers, its gay heralding over, it vanishes not to be recalled, for it bears no edible fruit.
The next event in the series might fairly be called phenomenal. Early in April