The Sound and the Fury - William Faulkner [118]
He could see the opposed forces of his destiny and his will drawing swiftly together now, toward a junction that would be irrevocable; he became cunning. I cant make a blunder, he told himself. There would be just one right thing, without alternatives: he must do that. He believed that both of them would know him on sight, while he’d have to trust to seeing her first, unless the man still wore the red tie. And the fact that he must depend on that red tie seemed to be the sum of the impending disaster; he could almost smell it, feel it above the throbbing of his head.
He crested the final hill. Smoke lay in the valley, and roofs, a spire or two above trees. He drove down the hill and into the town, slowing, telling himself again of the need for caution, to find where the tent was located first. He could not see very well now, and he knew that it was the disaster which kept telling him to go directly and get something for his head. At a filling station they told him that the tent was not up yet, but that the show cars were on a siding at the station. He drove there.
Two gaudily painted pullman cars stood on the track. He reconnoitred them before he got out. He was trying to breathe shallowly, so that the blood would not beat so in his skull. He got out and went along the station wall, watching the cars. A few garments hung out of the windows, limp and crinkled, as though they had been recently laundered. On the earth beside the steps of one sat three canvas chairs. But he saw no sign of life at all until a man in a dirty apron came to the door and emptied a pan of dishwater with a broad gesture, the sunlight glinting on the metal belly of the pan, then entered the car again.
Now I’ll have to take him by surprise, before he can warn them, he thought. It never occurred to him that they might not be there, in the car. That they should not be there, that the whole result should not hinge on whether he saw them first or they saw him first, would be opposed to all nature and contrary to the whole rhythm of events. And more than that: he must see them first, get the money back, then what they did would be of no importance to him, while otherwise the whole world would know that he, Jason Compson, had been robbed by Quentin, his niece, a bitch.
He reconnoitred again. Then he went to the car and mounted the steps, swiftly and quietly, and paused at the door. The galley was dark, rank with stale food. The man was a white blur, singing in a cracked, shaky tenor. An old man, he thought, and not as big as I am. He entered the car as the man looked up.
“Hey?” the man said, stopping his song.
“Where are they?” Jason said. “Quick, now. In the sleeping car?”
“Where’s who?” the man said.
“Dont lie to me,” Jason said. He blundered on in the cluttered obscurity.
“What’s that?” the other said. “Who you calling a liar?” and when Jason grasped his shoulder he exclaimed, “Look out, fellow!”
“Dont lie,” Jason said. “Where are they?”
“Why, you bastard,” the man said. His arm was frail and thin in Jason’s grasp. He tried to wrench free, then he turned and fell to scrabbling on the littered table behind him.
“Come on,” Jason said. “Where are they?”
“I’ll tell you where they are,” the man shrieked. “Lemme find my butcher knife.”
“Here,” Jason said, trying to hold the other. “I’m just asking you a question.”
“You bastard,” the other shrieked, scrabbling at the table. Jason tried to grasp him in both arms, trying to prison the puny fury of him. The man’s body felt so old, so frail, yet so fatally single-purposed that for the first time Jason saw clear and unshadowed the disaster toward which he rushed.
“Quit it!” he said. “Here. Here! I’ll get out. Give me time, and I’ll get out.”
“Call