The Sound and the Fury - William Faulkner [31]
“Hey, Uncle,” I said. “Is this the way?”
“Suh?” He looked at me, then he loosened the blanket and lifted it away from his ear.
“Christmas gift!” I said.
“Sho comin, boss. You done caught me, aint you.”
“I’ll let you off this time.” I dragged my pants out of the little hammock and got a quarter out. “But look out next time. I’ll be coming back through here two days after New Year, and look out then.” I threw the quarter out the window. “Buy yourself some Santy Claus.”
“Yes, suh,” he said. He got down and picked up the quarter and rubbed it on his leg. “Thanky, young marster. Thanky.” Then the train began to move. I leaned out the window, into the cold air, looking back. He stood there beside the gaunt rabbit of a mule, the two of them shabby and motionless and unimpatient. The train swung around the curve, the engine puffing with short, heavy blasts, and they passed smoothly from sight that way, with that quality about them of shabby and timeless patience, of static serenity: that blending of childlike and ready incompetence and paradoxical reliability that tends and protects them it loves out of all reason and robs them steadily and evades responsibility and obligations by means too barefaced to be called subterfuge even and is taken in theft or evasion with only that frank and spontaneous admiration for the victor which a gentleman feels for anyone who beats him in a fair contest, and withal a fond and unflagging tolerance for whitefolks’ vagaries like that of a grandparent for unpredictable and troublesome children, which I had forgotten. And all that day, while the train wound through rushing gaps and along ledges where movement was only a laboring sound of the exhaust and groaning wheels and the eternal mountains stood fading into the thick sky, I thought of home, of the bleak station and the mud and the niggers and country folks thronging slowly about the square, with toy monkeys and wagons and candy in sacks and roman candles sticking out, and my insides would move like they used to do in school when the bell rang.
I wouldn’t begin counting until the clock struck three. Then I would begin, counting to sixty and folding down one finger and thinking of the other fourteen fingers waiting to be folded down, or thirteen or twelve or eight or seven, until all of a sudden I’d realise silence and the unwinking minds, and I’d say “Ma’am?” “Your name is Quentin, isn’t it?” Miss Laura would say. Then more silence and the cruel unwinking minds and hands jerking into the silence. “Tell