The Sparrow - Mary Doria Russell [212]
He would tell the Reshtar: When my people search for a name to give to the truth we feel at those moments, we call it God, and when we capture that understanding in timeless poetry, we call it praying. And when we heard your songs, we knew that you too had found a language to name and preserve such moments of truth. When we heard your songs, we knew they were a call from God, to bring us here, to know you—
He would tell the Reshtar: I am here to learn your poetry and perhaps to teach you ours.
That is why I am alive, he told himself, and he thanked God with all his soul for allowing him to be here at this moment, to understand all this at last...
Intent on his own rushing thoughts, and by the certainty and right-ness that he felt, he made little effort to follow the conversation that went on around him, although it took place in Supaari’s own K’San dialect. He was not shocked when the robe was removed. Nudity was normal to him now. He knew that he was alien, that his body held as much interest for a man of learning as his mind. What educated man would not be curious, seeing a new sentient species for the first time? Who could fail to comment on the oddity of nearly complete hairlessness, the undeveloped nose? The strange dark eyes... the astonishing lack of tail...
". . . BUT A PLEASING proportion, an elegant muscularity," the Reshtar was saying. Admiring its neat and graceful compactness, he moved thoughtfully around the exotic body, one hand trailing, his fine claws leaving on the hairless chest thin lines that quickly seeped red beads. He passed his hand around the shoulder and, regarding the curve of the neck, encircled it with his hands, noting its delicacy: why, one could snap the spine with a single gesture. His hands moved again, lightly caressing the hairless back, moved lower, to the bizarre void, the fascinating stillness and vulnerability of taillessness.
Standing back, he saw that the foreigner had begun to tremble. Surprised at the rapidity of response, the Reshtar now moved to test readiness, lifting the foreigner’s chin and staring directly into the dark unreadable eyes. His own eyes narrowed at the reaction: the head turned quickly in submission, eyes closed, the whole body quaking. Pathetic, in a way, and untutored, but with great appeal.
"Lord?" It was the merchant. "It is acceptable? You are pleased?"
"Yes," the Reshtar said, distracted. He looked at Supaari and spoke then with impatience. "Yes. My secretary has the legal work in hand. You may contract the binding with my sister on whatever date seems propitious. Brother: may you have children." His gaze returned to the foreigner. "Leave me now," he said, and Supaari VaGayjur, rendered Founder of a new lineage for his service to the Reshtar of Galatna, in company with the guard who had escorted Sandoz from the seraglio, backed out of the room.
Alone, the Reshtar circled once more but came to rest behind the foreigner. He dropped his own robe then and stood, concentrating, eyes closed, on the fresh outpouring of scent, more intense, more complex than before. A powerful, stirring fragrance, unparalleled and irresistible. A musk redolent of unfamiliar amines, of strange butyric and caprylic carbon chains, misted by the simple chaste dioxides of shuddering breath and stirred by waves of iron bloodscent.
Hlavin Kitheri, Reshtar of Galatna Palace, the greatest poet of his age, who had ennobled the despised, exalted the ordinary, immortalized the fleeting, a singularity whose artistry was first concentrated and then released, magnified, by the incomparable and unprecedented, inhaled deeply. We shall sing of this for generations, he thought.
LANGUAGE, HIS LIFE’S work and his delight, which had failed Emilio Sandoz word by word, now deserted him utterly. Shuddering in violent moronic waves, he could smell the nauseating glandular reek of his own terror. Mute, he was unable even to think the word for the unspeakable joyless rite that