The Sparrow - Mary Doria Russell [222]
Q: One reviewer calls this "a parable about faith—the search for God, in others as well as Out There." Another says it’s about "the problem of evil and how it may stand in the path of a person’s deepest need to believe." How do you describe the themes in this book?
A: The central theme is an exploration of the risks and beauties of religious faith, If there isn’t a God, then Emilio Sandoz is all alone. And yet he’s terrified of the God he thinks he has discovered. But the story also revolves around the theme of family. One of the things I noticed after the story was finished was that all the main characters are childless, and yet they create a family for themselves, They relate to one another as son and daughter, brother and sister, uncle and aunt, grandparent and grandchild. It seems to me that this kind of spiritual kinship is tremendously important to all the people in this book. And the fact that they don’t have close genetic kin—they have no children to leave on Earth— gives them a kind of wistful free, dom. Anne and George would have made terrific parents but they’re childless. Emilio, jimmy, and Sophia become their surrogate kids. Those ties—that spiritual tension—was every bit as strong and resilient as genetic ties—perhaps even stronger.
Q: Why did The Sparrow have to end the way it did?
A: Because I needed to ask questions in their starkest terms, What happens to Emilio Sandoz is a holocaust writ small. He survives, but loses everyone. Now he has to live in its after, math.
Q: What’s the moral of this story?
A: Maybe it’s "Even if you do the best you can, you still get screwed." We seem to believe that if we act in accordance with our understanding of God’s will, we ought to be rewarded. But in doing so we’re making a deal that God didn’t sign onto. Emilio has kept his end of a bargain that he made with God, and he feels betrayed. He believes he has been seduced and raped by God, that he’s been used against his will for God’s own purpose. And I guess that’s partly what I’m doing with this book. I winted to look at that aspect of theology. In our world, if people believe at all, they believe that God is love, God is hearts and flowers, and that God will send you theological candy all the time. But if you read Torah, you real, ize that God has a lot to answer for. God is a complex personality. I wanted to explore that complexity and that moral ambiguity. God gives us rules but those are rules for us, not for God.
Q: What’s your next project?
A: I’m working on a sequel to The Sparrow titled Children of God. Emilio Sandoz goes back to Rakhat, but only because he has no choice. God is not done with him yet.
Q: What has been the toughest thing about writing the sequel?
A: The fact that there are so many people who are passionate about the original characters and care so much about the issues. Writing a sequel has been a real high-wire act. I’ve got to be able to reproduce those elements of the first book that people responded to strongly but I don’t want to repeat myself. I have to break new ground. I hope that I have done that but it has not been an easy trick to pull off. What the second book does is reverse the story’s emphasis—two thirds of the action takes place on Rakhat. and one third on Earth. Children of God explores what happens to the people on Rakhat because Emilio Sandoz was there. There are children born because of him, and children are always revolutionary. Things that we would put up with ourselves can become intolerable when we see our children forced to face the same circumstances.
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