The Sparrow - Mary Doria Russell [31]
Sofia Mendes, wrapping up her Singapore project in late April and preparing for the ISAS job, was not delighted. She maintained a cold neutrality, concentrating on what was, blocking out what might be. She had survived because, by heritage and experience, she knew how to see reality unclouded by emotion. It was a talent that had served her family well for centuries.
Before the expulsion of the Jews from Spain in 1492, the ancient Mendes were bankers, financiers to royalty. Hounded out of Iberia, they were welcomed by the Ottoman Empire, which gladly accepted the Sephardic merchants and astronomers, physicians and poets, archivists, mathematicians, interpreters and diplomats, the philosophers and the bankers like the Mendes, whom their Catholic majesties, Ferdinand and Isabella, drove from Spain. The Sephardim quickly became the most productive and energetic people in the empire, their society adorned at the top by notables who served successive sultans, as their forebears had served in Spanish courts. The culture that gave the world the Talmud and the towering physician-philosopher Maimonides once again became influential and respected.
But things change. The Ottoman Empire became merely Turkey. The Mendes were represented in the twentieth century by quiet, accomplished people who did not speak of their historic glory to outsiders but did not let their children forget those days either. They wasted no time mourning the past; they did their best in the circumstances in which they found themselves, and their best was commonly superb. In that, Sofia was their heir. The money and influence were gone; the pride and clearheadedness and intelligence were not.
When Istanbul began tearing itself to rubble in the insanity that grew out of the Second Kurdish War, Sofia Mendes was thirteen. Her mother, a musician, was dead before Sofia’s fourteenth birthday: a random mortar shell in the afternoon. Within weeks, her father, an economist, was missing, probably dead as well; he went to find food and never came back to the remains of their home. Her childhood, which had been books and music and love and learning, was finished. There was no way out of the city, sealed off by U.N. troops, left to devour itself in isolation. She was alone and destitute in a world of pointless carnage. By an eight-hundred-year-old Sephardic tradition, she had been since the age of twelve and a half "bogeret l’reshut nafsha"—an adult with authority over her own soul. The Torah taught, Choose life. And so, rather than die of pride, Sofia Mendes sold what she had to sell, and she survived.
Her clients were mostly half-grown boys crazed with violence and men who might have been decent husbands and good fathers once but who were now militiamen in a hundred vicious factions, all that remained of the brilliant cosmopolitan society that had once gloried in its diversity, as had San Francisco, Sarajevo, Beirut. She learned to get the money or the food first and she learned to take her mind elsewhere when her body was used. She learned that mortal fear resolves into lethal anger, that the men who cried in her arms were likely to try killing her before they left, and she learned to use a knife. She learned what everyone learns in war. Living through it is all that matters.
The Frenchman picked her from the line of girls at the corner because even after a year and a half on the streets, she was still beautiful. Jean-Claude Jaubert was always attracted by contrasts: in this case, the pale skin and the black hair, the well-marked brows; the aristocratic carriage and the dirty schoolgirl uniform; youth and experience. He had money, and there were still things to be had in Istanbul if you could pay. He insisted on dressing her properly, providing a hotel room with running water, where she could bathe, and a meal, which she did not bolt down despite evident hunger. She