The Sparrow - Mary Doria Russell [36]
They joined George in the kitchen. He directed Sofia to what Anne called the Kibitzer’s Stool and handed her a glass of wine, which she sipped as George finished slicing vegetables for the salad and Anne went back to whatever it was that involved flour. "George does all the knife work," Anne explained. "I can’t afford to get cut. Too much risk of infection. I dress like an astronaut when I’m in the ER or the clinic but it’s better to keep my hands out of harm’s way. Do these cookies look familiar?"
"Why, yes. My mother used to make those," Sofia said, a little startled by the memory of meringue-topped sweets.
"Ah, lucky guess," Anne murmured. The menu had been easy and Anne had enjoyed putting it together. Sephardic cuisine was basically Mediterranean—light, sophisticated, emphasizing vegetables and spices. She’d found a recipe for pandericas, "rich lady’s bread" served by Sephardim on Rosh Hashanah and other festive occasions. Peach melba, with the cookies, for dessert. "You’ll have to tell me if the recipe’s any good. I got it from a book."
THEY TOOK TURKISH coffees into the living room after dinner, and the conversation turned to music. It was George who noticed Sofia looking at the old piano against the wall. "It doesn’t get a lot of use," he told her. "The last tenant left it in the house. We were going to give it away but then we found out that Jimmy Quinn can play, so we had the thing tuned last week."
"Sofia, do you play?" Anne asked. It was a simple question. The girl’s hesitation was surprising.
"My mother was a music teacher so, of course, I had lessons when I was little," Sofia said finally. "I can’t remember when I sat at a piano last." But she could remember. The time of day and the way the sunlight slanted through the window in the music room and her mother nodding and commenting and sitting down to demonstrate a different phrasing; the cat jumping onto the keyboard only to be dumped unceremoniously onto the carpet, the practice session punctuated by occasional gunfire and the thud of a mortar shell landing somewhere nearby. She could remember everything, if she let herself. "I’m terribly out of practice."
"Well, give it a try," George said.
"Anyone who can make her own music is way ahead of me. All I can play is the radio. Sit down, Sofia," Anne urged, glad of some activity that might replace the fits and starts of conversation. Sofia was an appreciative but quiet guest, and the dinner was more subdued than Anne was used to or entirely happy with, although it was pleasant enough. "Did the tuner do a decent job or did we simply contribute to the general reek of Puerto Rican corruption?"
"No, truly, I can’t recall a single piece," Sofia pleaded.
Her demurrer was dismissed, firmly but kindly, and although she was rusty, pieces came back to her. She lost herself for a few minutes, becoming reacquainted with the instrument, but only for a few minutes. She rose and would have made an excuse to leave, but George reminded her of the peach melba and she decided to stay a bit longer.
As they ate dessert, Anne urged her to come back any time to use the piano but knowing Sofia’s attitude, she added, "I have to warn you. Jimmy Quinn comes down for dinner now and then, so you may run into him after hours." And then, as though it hadn’t been on her mind all afternoon, "We have another mutual acquaintance, by the way. Do you remember Emilio Sandoz?"
"The linguist. Yes, of course."
"That was your cue to exclaim ’Small world!’ He’s the reason we’re here actually," George said, and he sketched out the story of their coming to Puerto Rico.
"You are missionaries, then," Sofia said, trying not to sound as horrified as she was.
"Oh, God, no! Just plain old bleeding-heart, pain-in-the-ass liberal do-gooders," Anne said. "I was brought up Catholic but I drifted away from the Church years ago."
"Anne can still work up some Catholicism, with a couple of beers in her, but I’m a flat-out atheist. Still," George admitted, "the Jesuits do a lot of good work ..."
They spoke for a little