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The Stolen - Jason Pinter [31]

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stopped when it became too expensive.

90

Jason Pinter

Somehow Sang's brain retained the memory of those

smells, despite the fact that the boy himself wasn't even

awake."

Wallace scratched his beard, put the papers down. I

could tell he was thinking about this, debating whether my

discovery warranted looking into, or was just a dead end

that would eat up time and resources.

"Let me dig a bit," I said. "I know there's no way to tell

right now, but if there is, and we can report exclusively..."

Wallace's head snapped up. I stopped speaking. He

knew my engine was running, that if he unleashed the

harness I'd be on this like a dog on fresh meat. I was

aching to run with this story. It burned to think that nobody

else seemed to care where Daniel Linwood had been for

five years, why he couldn't remember anything about his

disappearance or why the HCPD seemed content to

vacuum it all up. I hated that if nobody stepped up, Daniel

Linwood would just be another headline. A child with no

past, whose future would always be clouded.

"This is awful thin," Wallace said. "You realize it might

have been a slip of the tongue. A fault in the recording. My

mother used to call me Beth--that was my sister's name,

but she was just absentminded. There are a dozen ways to

explain what Daniel said, not all of them having anything

to do with some Korean boy."

"But you and I both want to know whether there's

more."

I looked at Wallace, trying to will him to say it. Then

he looked up at me, hands folded in front of him.

"Check it out. Report back if you find anything. And if

it turns out there's another way to explain it, you stop

digging immediately. We promised to treat the Linwood

family with respect--the last thing we need is to acciden- The Stolen

91

tally hit a nerve that doesn't need to feel pain. There's a

family at stake here, not to mention a town trying to

rebuild. So use a pipe cleaner to dig instead of a pickax."

"Gentle is my middle name."

"That's a goddamned lie," Wallace said, "but I'll give

you the benefit here. Good luck, Parker."

With Wallace's blessing, I went back to my desk and

took out the Linwoods' phone number. I held the Post-it

between my fingers and thought about the promise I'd

made to Shelly. Her family had been torn apart, and it

would take years before they could even hope to begin the

reparations. By giving me access to their home and to

their son, the Linwoods trusted me to do what was right.

And I had every intent of doing just that.

First I had to make sure there wasn't a simpler explanation.

I called the Linwood house. It went right to voice mail.

An automated system saying, "The person you wish to call

is not available at this time. Please leave a message at the

tone." I figured they'd disconnected their phone, changed

their number to confuse the vultures. Only now I'd become

one, too.

At the tone, I said, "Hi, Shelly, Randall, this is Henry

Parker. I wanted to thank you for the other day. I did have

one follow-up question, and I was wondering if one of you

could give me a call back at the office. Again, this is Henry

Parker at the New York Gazette. "

Then I hung up. And sat there. Twiddling my thumbs,

chewing a number two pencil, praying the wait wouldn't

be long.

Perhaps the most difficult thing about being a reporter

was waiting for a callback. If I was on deadline, and knew

that one transforming piece of information was available

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Jason Pinter

yet just beyond reach, the minutes crawled by like hours.

Waiting for that callback could drive you insane. I propped

my feet up on the desk, stuck a pencil between my teeth

and waited.

Thankfully I didn't have to worry about my sanity,

because my phone rang barely a minute after I'd hung up.

"This is Parker."

"Henry, it's Shelly Linwood." She sounded apprehensive, a little concerned. She had probably assumed once

my story ran I'd be out of her life.

"Shelly, thanks so much for getting back to me."

"It's no problem. We have to screen our calls, otherwise

we'd never get off the line. We're

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