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The Stranger - Max Frei [58]

By Root 712 0
one’s own well-being, for that matter! I had a bad feeling about that place from the very beginning; I shouldn’t have let you move into that doghouse at all!”

“It’s all right,” I said, trying to comfort my boss. “When I grow up and I’m big and strong, I’ll learn to take bribes, and then I’ll build a palace for myself on the left bank. What about your news? You said you were going to consult the buriwoks.”

“That’s what I spent half the day doing. I have some news, and it’s rather worrying. It’s just too bad that I didn’t take on this case a couple of years ago. But if it hadn’t been for your dreams, it never would have occurred to me to make a connection between some of the facts that on their own just aren’t very interesting. Let’s go to the Ministry, so you can hear for yourself.”

And we headed straightaway to the Main Archive.

“Lookfi, I’d like to listen again to the information that you gathered today.”

“Of course, Sir Hully. Good day, Sir Max; you’re here early today! They say nothing much has been happening lately.”

Lookfi approached one of the buriwoks.

“Please tell us one more time about the Street of Old Coins, Tatoon.”

It looked to me like the bird had shrugged, as if to say, “I’d rather not repeat the same trivial story twice, but since it’s my job—here we go again.” With that, the buriwok began to recite:

“Information regarding owners of real estate as of Day 208 of the Year 115. Street of Old Coins, house #1. Owner: Ms. Xarista Aag. No criminal record. Lives in the countryside. In the year 109 of the Code Epoch, the house was temporarily leased to the Poedra family. Three dozen years’ rent was paid up front. In the year 112, Gar Poedra lost the Spark and died. His wife, Pita Poedra, and daughter, Xitta, are known to inhabit the premises to the present day. The daughter still suffers from a childhood illness, but does not seek the assistance of specialists and does not leave the house. They live in a reclusive fashion and do not entertain guests. No criminal record.

“House #2. Owner: Kunk Stifan. Lives in the house with two underage sons. His wife, Trita Stifan, died in the year 107. In the year 110, he was suspected of killing the maid, one Pamma Lorras. He was proven innocent and received compensation for damages. A witch-doctor confirmed that his wife died in her sleep of heart disease. Uses the services of a daytime maid and four tutors for the boys. Does not employ full-time help. He was obliged to leave his position at the Ministry of Big Money due to illness at the beginning of this year.

“House #3. Owner: Rogro Zhil, editor-in-chief of the Royal Voice and co-owner of the Echo Hustle and Bustle. His detailed dossier is kept in the archives. He currently lives on Ginger Dream Street in the New City. The house on the Street of Old Coins is neither for rent nor for sale, as the owner is in no need of funds.”

“His dossier is something of an epic poem,” whispered Juffin. “But at the moment that’s not what we are interested in. You may enjoy reading it, though, in your spare time. I highly recommend it.”

Houses #4, #5, #6 . . . All the stories bore a certain resemblance to one another. The inhabitants of the Street of Old Coins turned out to be the most miserable wretches in all of Echo: they got sick, lost their loved ones, and then they died. No criminal records, no suicides, nothing mysterious. But a whole street full of terminally ill widows and orphans? And in Echo, of all places, where your average witch-doctor was nearly capable of bringing the dead back to life! Talk about coincidence.

“House seven,” the bird repeated patiently, “Owner: Tolakan Enn; wife: Feni Enn, no children. In the year 54 of the Code Epoch, the house was left to him by his father, Sir Genelad Enn, the Royal Court’s Chief Supplier. Altogether his inheritance was worth a dozen million crowns.”

I whistled in surprise. Sir Tolakan was absurdly wealthy. You could live for a week on just one crown—if, of course, you didn’t buy large quantities of the expensive nonsense that is displayed in the windows of antique shops.

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