The Stranger's Child - Alan Hollinghurst [113]
At 9:35, with the recurrent momentary dread and resolve that come with living by a timetable, Peter opened his door again and went out on to the landing. In the glance he gave back into his room he saw it as a stranger might, as an appalling mess. He went down one circuit of the main staircase, and set off along the broad first-floor corridor. The classrooms at Corley Court occupied six rooms on the ground floor, but the room with the piano was isolated, with the sick-bay, in the rambling far end of the floor above. Boys with temperatures or infectious diseases were harassed through the wall by ragged bursts of folksong or the torturous practice of scales. He passed the Headmaster’s sitting-room, which must once have been a principal bedroom of the house: its high Gothic oriel looked out down the axis of the formal gardens, which now survived only in photographs but had once been a dazzling floral maze. A melancholy fishpond at the centre of the lawn was all that was left.
Peter had got the Corley job in the middle of the year, after the clouded departure of a man called Holdsworth, and took to the house from the start, in part out of natural sympathy for something so widely abused. “A Victorian monstrosity” was the smug routine phrase. He had heard a boy in the First Form opine that Corley Court was “a Victorian monstrosity, and one of the very worst,” with just the same humourless laugh the boy’s father must have used when describing the place. In fact, the house was perfect for a boarding-school—secluded, labyrinthine, faintly menacing, with its own tree-lined park now mown and marked out in pitches. No one, it was felt, could want to live in such a place, but as an institution of learning it was pretty much ideal. Peter had started to research its history. Last year he had signed a petition to save St. Pancras Station, and at Corley too he loved the polychrome brick and the fierce Gothic detail which were such an amusing challenge to more gracious notions of the English country house—though the rooms inside, which had been altered between