The Street of Crocodiles - Bruno Schulz [44]
Adela clanked the mortar again, pounding cinnamon; Mother returned to her interrupted conversation; and Theodore, listening to the prophecies in the attic, made comical faces, lifting his eyebrows and softly chuckling to himself.
The Night of the Great Season
Everyone knows that in a run of normal uneventful years that great eccentric, Time, begets sometimes other years, different, prodigal years which—like a sixth, smallest toe—grow a thirteenth freak month.
We use the word freak deliberately, because the thirteenth month only rarely reaches maturity, and like a child conceived late in its mother's life, it lags behind in growth; it is a hunchback month, a half-wilted shoot, more tentative than real.
What is at fault is the senile intemperance of the summer, its lustful and belated spurt of vitality. It sometimes happens that August has passed, and yet the old thick trunk of summer continues by force of habit to produce and from its moldered wood grows those crab-days, weed-days, sterile and stupid, added as an afterthought stunted, empty, useless days—white days, permanently astonished and quite unnecessary. They sprout, irregular and uneven, formless and joined like the fingers of a monster's hand, stumps folded into a fist.
There are people who liken these days to an apocrypha, put secretly between the chapters of the great book of the year; to palimpsests, covertly included between its pages; to those white, unprinted sheets on which eyes, replete with reading and the remembered shapes of words, can imagine colors and pictures, which gradually become paler and paler from the blankness of the pages, or can rest on their neutrality before continuing the quest for new adventures in new chapters.
Ah, that old, yellowed romance of the year, that large, crumbling book of the calendar! It lies forgotten somewhere in the archives of Time, and its content continues to increase between the boards, swelling incessantly from the garrulity of months, from the quick self-perpetuation of lies, of drivel, and of dreams which multiply in it. Ah, when writing down these tales, revising the stories about my father on the used margins of its text, don't I, too,