The Sun Also Rises - Ernest Hemingway [75]
"Here, take them," she said.
Through the glasses I saw Belmonte speak to Romero. Marcial straightened up and dropped his cigarette, and, looking straight ahead, their heads back, their free arms swinging, the three matadors walked out. Behind them came all the procession, opening out, all striding in step, all the capes furled, everybody with free arms swinging, and behind rode the picadors, their pics rising like lances. Behind all came the two trains of mules and the bull-ring servants. The matadors bowed, holding their hats on, before the President's box, and then came over to the barrera beiow us. Pedro Romero took off his heavy gold-brocaded cape and handed it over the fence to his sword-handler. He said something to the sword-handler. Close below us we saw Romero's lips were puffed, both eyes were discolored. His face was discolored and swollen. The sword-handler took the cape, looked up at Brett, and came over to us and handed up the cape.
"Spread it out in front of you," I said.
Brett leaned forward. The cape was heavy and smoothly stiff with gold. The sword-handler looked back, shook his head, and said something. A man beside me leaned over toward Brett.
"He doesn't want you to spread it," he said. "You should fold it and keep it in your lap."
Brett folded the heavy cape.
Romero did not look up at us. He was speaking to Belmonte. Belmonte had sent his formal cape over to some friends. He looked across at them and smiled, his wolf smile that was only with the mouth. Romero leaned over the barrera and asked for the water-jug. The sword-handler brought it and Romero poured water over the percale of his fighting-cape, and then scuffed the lower folds in the sand with his slippered foot.
"What's that for?" Brett asked.
"To give it weight in the wind."
"His face looks bad," Bill said.
"He feels very badly," Brett said. "He should be in bed."
The first bull was Belmonte's. Belmonte was very good. But because he got thirty thousand pesetas and people had stayed in line all night to buy tickets to see him, the crowd demanded that he should be more than very good. Belmonte's great attraction is working close to the bull. In bull-fighting they speak of the terrain of the bull and the terrain of the bull-fighter. As long as a bull-fighter stays in his own terrain he is comparatively safe. Each time he enters into the terrain of the bull he is in great danger. Belmonte, in his best days, worked always in the terrain of the bull. This way he gave the sensation of coming tragedy. People went to the corrida to see Belmonte, to be given tragic sensations, and perhaps to see the death of Belmonte. Fifteen years ago they said if you wanted to see Belmonte you should go quickly, while he was still alive. Since then he has killed more than a thousand bulls. When he retired the legend grew up about how his bull-fighting had been, and when he came out of retirement the public were disappointed because no real man could work as close to the bulls as Belmonte was supposed to have done, not, of course, even Belmonte.
Also Belmonte imposed conditions and insisted that his bulls should not be too large, nor too dangerously armed with horns, and so the element that was necessary to give the sensation of tragedy was not there, and the public, who wanted three times as much from Belmonte, who was sick with a fistula, as Belmonte had ever been able to give, felt defrauded and cheated, and Belmonte's jaw came further out in contempt, and his face turned yellower, and he moved with greater difficulty as his pain increased, and finally the crowd were actively against him, and he was utterly contemptuous and indifferent. He had meant to have a great afternoon, and instead it was an afternoon of sneers, shouted insults, and finally a volley of cushions and pieces of bread and vegetables,