The Tale of Despereaux - Kate DiCamillo [31]
“I have not forgotten, Mama,” she whispered. “I have not forgotten you. I have not forgotten soup.”
THE STRANGE THREESOME made their way down the golden stairs of the castle. The princess and Mig walked side by side and Roscuro hid himself again in the pocket of Mig’s apron and Mig pointed the sharp tip of the knife at the princess’s back and together they went down, down, down.
The princess was led to her fate as around her, everyone slept. The king slept in his giant bed with his crown on his head and his hands crossed on his chest, dreaming that his wife, the queen, was a bird with green and gold feathers who called his name, Phillip, Phillip, Phillip, without ceasing.
Cook slept in a too-small bed off the kitchen, dreaming of a recipe for soup that she could not find. “Where did I put that?” she mumbled in her sleep. “Where did that recipe go? It was for the queen’s favorite soup. I must find it.”
And not far from Cook, in the pantry, atop a bag of flour, slept the mouse Despereaux, dreaming, as you know, reader, of knights in shining armor, of darkness, and of light.
And in the whole of the darkened, sleeping castle, there was only the light of the candle in the hand of Miggery Sow. The candle shone on the princess’s dress and made it sparkle, and the princess walked tall in the light and tried not to be afraid.
In this story, reader, we have talked about the heart of the mouse and the heart of the rat and the heart of the serving girl Miggery Sow, but we have not talked about the heart of the princess. Like most hearts, it was complicated, shaded with dark and dappled with light. The dark things in the princess’s heart were these: a very small, very hot, burning coal of hatred for the rat who was responsible for her mother’s death. And the other darkness was a tremendous sorrow, a deep sadness that her mother was dead and that the princess could, now, only talk to her in her dreams.
And what of the light in the princess’s heart? Reader, I am pleased to tell you that the Pea was a kind person, and perhaps more important, she was empathetic. Do you know what it means to be empathetic?
I will tell you: It means that when you are being forcibly taken to a dungeon, when you have a large knife pointed at your back, when you are trying to be brave, you are able, still, to think for a moment of the person who is holding that knife.
You are able to think: “Oh, poor Mig, she wants to be a princess so badly and she thinks that this is the way. Poor, poor Mig. What must it be like to want something that desperately?”
That, reader, is empathy.
And now you have a small map of the princess’s heart (hatred, sorrow, kindness, empathy), the heart that she carried inside her as she went down the golden stairs and through the kitchen and, finally, just as the sky outside the castle began to lighten, down into the dark of the dungeon with the rat and the serving girl.
THE SUN ROSE AND SHED LIGHT on what Roscuro and Miggery Sow had done.
And finally, Despereaux awoke. But, alas, he awoke too late.
“I haven’t see her,” Louise was shouting, “and I tell you, I wash my hands of her. If she’s missing, I say good riddance! Good riddance to bad rubbish.”
Despereaux sat up. He looked behind him. Oh, his tail! Gone! Given over to the knife and where the tail should be . . . nothing but a bloody stub.
“And more foul play. Gregory dead!” shouted Cook. “Poor old man, that rope of his broken by who knows what and him lost in the dark and frightened to death because of it. It’s too much.”
“Oh no,” whispered Despereaux. “Oh no, Gregory is dead.” The mouse got to his feet and began the long climb down from the shelf. Once he was on the floor, he stuck his head around the door of the pantry and saw Cook standing in the center of the kitchen, wringing her fat hands. Beside her stood a tall woman jangling a ring of keys.
“That’s right,” said