The Tears of Autumn - Charles McCarry [1]
Christopher paid the bartender and left. He walked through the city with its smell of waste: dead vegetation, open drains, untreated diseases of the skin. The people who slept in the streets were awakening as the sun, coming up on the flat horizon, flashed into the city like light through the lens of a camera. A leper, opening his eyes and seeing a white man, showed Christopher his sores. Christopher gave him a coin and walked on.
When he reached the river, he hired a boatman to take him to the floating market. He had three hours to kill before going to the airport. It was cooler on the river, and he was just another white man among dozens who had risen early to be paddled past the grinning naked boys standing in the roiled waters and the market boats filled with odorless flowers and lovely fruits that had no taste. He bought some limes and shared them with the boatman.
The night before, in the toilet of a bar, Luong had put his thumbprint on a receipt for the money Christopher brought to him, his monthly stipend. While Luong cleaned the ink off his thumb with whiskey from the glass he had carried with him into the toilet, Christopher showed him the envelope. It was filled with Swiss francs, new blue hundred-franc notes. “I’d better keep this till morning,” Christopher said. Luong, who always ended the night with a girl, nodded. They agreed on a plan for a meeting in the morning, checking their watches to be sure that they showed the same time.
Now, as Luong slept, Christopher took the envelope out of his coat pocket. He put the stamp pad inside with the money, sealed it, and dropped it over the side of the boat. The white envelope twisted in the moving brown water of the Chao Phraya and disappeared.
Christopher smiled at his own gesture. It was not likely that Luong would understand the message. He trusted Christopher. Luong knew, of course, that agents were sometimes sacrificed, but he did not consider himself an agent. He did things for Christopher and Christopher did things for him: though Christopher was white and Luong was brown, they had the same beliefs. “This money,” he asked once, “it’s good money, from people like us?” Christopher replied, “Yes.” Luong was a subtle man, but Christopher, throwing ten thousand francs in secret funds into a tropical river, did not really believe that the Vietnamese would understand that the loss of the money meant the loss of Christopher’s protection. It was more likely that he’d think there had been a mistake, that Christopher would come back, as he had always done. Luong would go back to Saigon and die.
Christopher was in no danger. If the secret police in Saigon interrogated Luong before they killed him, he would speak about a blond American named Crawford who believed in social justice and spoke unaccented French. Christopher had what no American is supposed to have, an ear for languages. He registered everything he heard, sense and tone, so that he understood even Oriental languages he had never studied after hearing them spoken for a few days. This trick was the fossil of his talent for poetry.
“Luong can vomit all over the floor about you,” said Wolkowicz, the man from the station in Saigon. “The Vietnamese are never going to believe that an American can speak French the way you do. They’ll figure some Frenchman has been passing himself off to Luong as an American, and we’ll be off the hook.”
“At Luong’s expense. There’s no reason to let him be arrested. You know they don’t have any evidence he’s tied up with the VC. He’s not.”
Wolkowicz put bread in his mouth and softened it with a sip of wine so he could chew it. Wolkowicz was self-conscious about his false teeth, but not for any cosmetic reason: his own teeth had been pulled by a Japanese interrogator in Burma during the Second World War, and there was a belief in the profession that a man who had been tortured, and stood up under it, could not afterward be trusted. He would know too well what to expect.
“Since when do facts make any difference?” Wolkowicz asked. “There’s nothing you