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The Telephone Booth Indian - Abbott Joseph Liebling [22]

By Root 493 0
against the wall in a corridor that bisects the third floor. The wall for several feet on each side of the telephones is covered with numbers the heels have jotted down. The Jollity Building pays a young man named Angelo to sit at a table in a small niche near the telephones and answer incoming calls. He screams “Who?” into the mouthpiece and then shuffles off to find whatever heel is wanted. On days when Angelo is particularly weary, he just says, “He ain't in,” and hangs up. He also receives and distributes the mail for the heels. Angelo is a pallid chap who has been at various periods a chorus boy, a taxi driver, and a drummer in one of the bands which maintain headquarters in the Jollity Building. “Every time a heel comes in,” Angelo says, “he wants to know 'Are you sure there isn't a letter for me that feels like it had a check in it?… That's funny, the fellow swore he mailed it last night.' Then he tries to borrow a nickel from me so he can telephone.”

Not having a nickel is a universal trait of people who rent the cubicles, and they spend a considerable portion of the business day hanging by the thirdfloor telephones, waiting for the arrival of somebody to borrow a nickel from. While waiting, they talk to Angelo, who makes it a rule not to believe anything they say. There are no booths in the corridor because Morty does not want any Telephone Booth Indians to develop on the third floor.

Morty himself often goes to visit with Angelo and terrifies the heels with his bilious stare. “They all say they got something big for next week,” he tells Angelo in a loud, carrying voice, “but the rent is ‘I'll see you tomorrow.’ “ Morty's friends sometimes drop in there to visit him. He likes to sit on Angelo's table with them and tell about the current collection of furnishedoffice inhabitants. “Who is that phonylooking heel who just passed, you want to know?” he may say during such a recapitulation. “Hey, this is funny. He happens to be legitimate—autos to hire. The heel in the next office publishes a horse magazine. If he gets a winner, he eats. Then there's one of them heels that hires girls to sell permanent waves for fifty cents down, door to door. The girl takes the fifty cents and gives the dame a ticket, but when the dame goes to look for the beauty parlor it says on the ticket, there is no such beauty parlor at that address.

“We got two heels writing plays. They figure they got nothing to do, so they might as well write a play, and if it clicks, they might also eat. Then we got a lady heel who represents Brazilian music publishers and also does a bit of booking; also a head who is running a school for hatcheck girls, as it seems the hatcheck profession is very complicated for some of the type of minds they got in it. Those heads who walk through the hall are going no place. They just stick their potato in every office and say, 'Anything for me today?' They do not even look to see if it is a theatrical office. If they expected to find anything, they would not be over here. What would anybody here have to offer? Once in a while a sap from the suburbs walks into one of the offices on this floor thinking he can get some talent cheap. 'Sure,' some heel says, 'I got just the thing you want.' They run down in the lobby looking for somebody. They ask some head they meet in the lobby, 'Are you a performer?' They try the other little agents that they know. The whole date is worth probably four dollars, and the forty cents' commission they split sometimes four ways.”

Morty's favorite heel of the current lot is a tall Chesterfieldian old man named Dr. Titus Heatherington, who is the president of the AntiHitlerian League of the Western Hemisphere. Dr. Heatherington for many years lectured in vacant stores on sex topics and sold a manual of facts every young man should know. “The line became, in a manner of speaking, exhausted,” Dr. Heatherington says, “because of the increasing sophistication of the contemporary adolescent, so I interested myself in this great crusade, in which I distribute at a nominal price a very fascinating

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