The Telephone Booth Indian - Abbott Joseph Liebling [55]
The Messrs. Shubert have been the largest operators in the New York theater for so long that only a few persons remember that they were once boy wonders in Syracuse, where both of them were running theaters before they had reached their twenties. City records in Syracuse show that Lee was born there sixtysix years ago and J.J. five years later, but the brothers still have the brisk and querulous quality of two combative small boys who feel the teacher is down on them. A few years ago they addressed a manifesto to New York dramatic editors, insisting that they be referred to by the collective designation of “the Messrs. Shubert.” “Lee and Jake,” they felt, sounded much too flippant. Lee takes a quiet pride in being known as the fastest walker on Broadway. He walks fast even when he doesn't know where he is going. J.J. is distinguished for his bitter vehemence at rehearsals. “There is only one captain on this ship,” he once shouted while rehearsing a musical, “the director and me!”
When Lee, in his office in the Shubert Theatre, wishes to communicate with J.J., in the Sardi Building, he summons Jack Morris, his secretary, and says, “Take a letter to Mr. J.J.” When J.J. wishes to communicate with Lee, he says to his secretary, “Take a letter to Mr. Lee.” This custom has given rise to a theaterdistrict legend that the brothers are mortal enemies and do not speak at all. The legend is not founded on fact. When either of the Shuberts is really in a hurry to discuss something with the other, he walks across the street to do so. An even more fanciful theory has it that the story of animosity between the two has been fostered for business reasons by the Shuberts themselves. The exponents of this theory contend that when Lee wants to get out of a deal, he says that J.J. will not allow him to go through with it, and that when J.J. wants to get out of a deal, he blames Lee. Actually there is no overt hostility between the brothers. Mr. J.J. says that it was the intention of the Messrs., when they collaborated in the construction of the Sardi Building in 1926, to move all their executive offices there from the somewhat constricted quarters on the upper floors of the Shubert Theatre. That summer, Mr. J.J., who sometimes explains a predilection for foreign musical shows by saying, “I am more dynamic and Continental than Mr. Lee,” made his annual trip to Europe to inspect the new vintage of operettas. When he returned, he found that his office furniture had been moved into the new building, but that Mr. Lee had treacherously remained in the Shubert Theatre. The Shubert enterprises