The Telephone Booth Indian - Abbott Joseph Liebling [69]
In 1933, two years after the receivership, Mr. Lee, with his brother as partner, bought in all the assets of the defunct corporation for four hundred thousand dollars, a price which barely covered the costs of the receivership. The creditors were glad to receive even that small amount, however. They had discovered that the leasehold on a theater is practically worthless in the eyes of bankers, who know neither how to produce a play nor how to put such a property to any other profitable use. The Shuberts lumped together all that could be salvaged from the Shubert Theatre Corporation in a new company called the Select Theatres Corporation. They kept fifty per cent of the stock of the new organization for themselves and distributed the rest among those who had held stock in the old corporation. The Select stock never has paid dividends, either to the Shuberts or to anybody else. Through Select, the brothers maintain their control over a large number of theaters, and this protects their strategic position in the industry. Among the theaters now owned by Select are the Barrymore, Ambassador, Hudson, Maxine Elliott, Fortysixth Street, Golden, Longacre, Imperial, Morosco, and Majestic. Lee is president of Select, and J.J. is general manager. The overhead costs of all Shubert enterprises, including the salaries of Lee and J.J., are charged to Select and the Shubert personal holdings; each Shubert production is a new corporation in which Mr. Lee and Mr. J.J. usually own all the stock. The precise financial status of the Messrs. is one of the thousand and one topics of idle speculation in Broadway taverns. Recently, from Mr. William Klein, who has been their attorney for thirtyseven years, came the nearest thing to an official statement yet heard on the subject. “Neither of the Messrs. Shubert,” he said, rubbing his hands together vigorously, “will ever be buried in potter's field.”
The brothers have great confidence in each other's integrity; one never questions the other's drafts on the joint Shubert cash account. On the other hand, they are seldom in agreement about business policies and twice a year they meet in Mr. J.J.'s apartment atop the Sardi Building for a formal dinner and argument. They are attended by attorneys on these occasions. During the rest of the year they lead separate social existences. Mr. J.J. lives in his apartment alone except for a cook and maid, and he seldom goes out at night. The living room, which runs the whole width of the building, is adorned with lighting fixtures from the old Hotel Knickerbocker and with a great deal of Louis XIV furniture. All of the furniture, he likes to assure visitors, was bought especially for the apartment—none of the pieces are leftovers from shows. At the west end of the room there is a wroughtiron door from a Venetian palace, on which the most noticeable adornment is a female figure with six breasts. The door weighs three and a half tons. The space behind one of the diningroom walls is hollow and filled with a large supply of liquor which Mr. J.J. acquired at reduced prices during prohibition and which he has as yet