made prisoner of war, and receives, as is usual, the sentence of death from his conquerors, he hears it without expressing any emotion, and afterwards submits to the most dreadful torments, without ever bemoaning himself, or discovering any other passion but contempt of his enemies.6 While he is hung by the shoulders over a slow fire, he derides his tormentors, and tells them with how much more ingenuity he himself had tormented such of their countrymen as had fallen into his hands. After he has been scorched and burnt, and lacerated in all the most tender and sensible parts of his body for several hours together, he is often allowed, in order to prolong his misery, a short respite, and is taken down from the stake: he employs this interval in talking upon all indifferent subjects, inquires after the news of the country, and seems indifferent about nothing but his own situation. The spectators express the same insensibility; the sight of so horrible an object seems to make no impression upon them; they scarce look at the prisoner, except when they lend a hand to torment him. At other times they smoke tobacco, and amuse themselves with any common object, as if no such matter was going on. Every savage is said to prepare himself from his earliest youth for this dreadful end. He composes, for this purpose, what they call the song of death, a song which he is to sing when he has fallen into the hands of his enemies, and is expiring under the tortures which they inflict upon him. It consists of insults upon his tormentors, and expresses the highest contempt of death and pain. He sings this song upon all extraordinary occasions, when he goes out to war, when he meets his enemies in the field, or whenever he has a mind to show that he has familiarized his imagination to the most dreadful misfortunes, and that no human event can daunt his resolution, or alter his purpose. The same contempt of death and torture prevails among all other savage nations. There is not a negro from the coast of Africa who does not, in this respect, possess a degree of magnanimity which the soul of his sordid master is too often scarce capable of conceiving. Fortune never exerted more cruelly her empire over mankind, than when she subjected those nations of heroes to the refuse of the jails of Europe, to wretches who possess the virtues neither of the countries which they come from, nor of those which they go to, and whose levity, brutality, and baseness, so justly expose them to the contempt of the vanquished.
This heroic and unconquerable firmness, which the custom and education of his country demand of every savage, is not required of those who are brought up to live in civilized societies. If these last complain when they are in pain, if they grieve when they are in distress, if they allow themselves either to be overcome by love, or to be discomposed by anger, they are easily pardoned. Such weaknesses are not apprehended to affect the essential parts of their character. As long as they do not allow themselves to be transported to do any thing contrary to justice or humanity, they lose but little reputation, though the serenity of their countenance, or the composure of their discourse and behaviour, should be somewhat ruffled and disturbed. A humane and polished people, who have more sensibility to the passions of others, can more readily enter into an animated and passionate behaviour, and can more easily pardon some little excess. The person principally concerned is sensible of this; and being assured of the equity of his judges, indulges himself in stronger expressions of passion, and is less afraid of exposing himself to their contempt by the violence of his emotions. We can venture to express more emotion in the presence of a friend than in that of a stranger, because we expect more indulgence from the one than from the other. And in the same manner the rules of decorum among civilized nations, admit of a more animated behaviour, than is approved of among barbarians. The first converse together with the openness of friends; the second with the