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The Thing Around Your Neck - Chimamanda Ngozi Adichie [51]

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in the line of about two hundred that trailed from the closed gates of the American embassy all the way past the smaller, vine-encrusted gates of the Czech embassy. She did not notice the newspaper vendors who blew whistles and pushed The Guardian, Thenews, and The Vanguard in her face. Or the beggars who walked up and down holding out enamel plates. Or the ice-cream bicycles that honked. She did not fan herself with a magazine or swipe at the tiny fly hovering near her ear. When the man standing behind her tapped her on the back and asked, “Do you have change, abeg, two tens for twenty naira?” she stared at him for a while, to focus, to remember where she was, before she shook her head and said, “No.”

The air hung heavy with moist heat. It weighed on her head, made it even more difficult to keep her mind blank, which Dr. Balogun had said yesterday was what she would have to do. He had refused to give her any more tranquilizers because she needed to be alert for the visa interview. It was easy enough for him to say that, as though she knew how to go about keeping her mind blank, as though it was in her power, as though she invited those images of her son Ugonna’s small, plump body crumpling before her, the splash on his chest so red she wanted to scold him about playing with the palm oil in the kitchen. Not that he could even reach up to the shelf where she kept oils and spices, not that he could unscrew the cap on the plastic bottle of palm oil. He was only four years old.

The man behind her tapped her again. She jerked around and nearly screamed from the sharp pain that ran down her back. Twisted muscle, Dr. Balogun had said, his expression awed that she had sustained nothing more serious after jumping down from the balcony.

“See what that useless soldier is doing there,” the man behind her said.

She turned to look across the street, moving her neck slowly. A small crowd had gathered. A soldier was flogging a bespectacled man with a long whip that curled in the air before it landed on the man’s face, or his neck, she wasn’t sure because the man’s hands were raised as if to ward off the whip. She saw the man’s glasses slip off and fall. She saw the heel of the soldier’s boot squash the black frames, the tinted lenses.

“See how the people are pleading with the soldier,” the man behind her said. “Our people have become too used to pleading with soldiers.”

She said nothing. He was persistent with his friendliness, unlike the woman in front of her who had said earlier, “I have been talking to you and you just look at me like a moo-moo!” and now ignored her. Perhaps he was wondering why she did not share in the familiarity that had developed among the others in the line. Because they had all woken up early—those who had slept at all—to get to the American embassy before dawn; because they had all struggled for the visa line, dodging the soldiers’ swinging whips as they were herded back and forth before the line was finally formed; because they were all afraid that the American embassy might decide not to open its gates today, and they would have to do it all over again the day after tomorrow since the embassy did not open on Wednesdays, they had formed friendships. Buttoned-up men and women exchanged newspapers and denunciations of General Abacha’s government, while young people in jeans, bristling with savoir faire, shared tips on ways to answer questions for the American student visa.

“Look at his face, all that bleeding. The whip cut his face,” the man behind her said.

She did not look, because she knew the blood would be red, like fresh palm oil. Instead she looked up Eleke Crescent, a winding street of embassies with vast lawns, and at the crowds of people on the sides of the street. A breathing sidewalk. A market that sprung up during the American embassy hours and disappeared when the embassy closed. There was the chair-rental outfit where the stacks of white plastic chairs that cost one hundred naira per hour decreased fast. There were the wooden boards propped on cement blocks, colorfully displaying sweets and

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