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The Thing Around Your Neck - Chimamanda Ngozi Adichie [77]

By Root 980 0
the clear-eyed child that you were. Maybe it was because of the way she said the divorce was not about Nonso—as though Nonso was the only one capable of being a reason, as though you were not in the running. Or maybe it was simply that you felt the burning desire that you still feel sometimes, the need to smooth out wrinkles, to flatten things you find too bumpy. You told your mother, with your tone suitably reluctant, that Grandmama had asked Nonso to climb to the highest branch of the avocado tree to show her how much of a man he was. Then she frightened him—it was a joke, you assured your mother—by telling him that there was a snake, the echi eteka, on the branch close to him. She asked him not to move. Of course he moved and slipped off the branch, and when he landed, the sound was like many fruits falling at the same time. A dull, final plop. Grandmama stood there and stared at him and then started to shout at him about how he was the only son, how he had betrayed the lineage by dying, how the ancestors would be displeased. He was breathing, you told your mother. He was breathing when he fell but Grandmama just stood there and shouted at his broken body until he died.

Your mother started to scream. And you wondered if people screamed in that crazed way when they had just chosen to reject truth. She knew well enough that Nonso had hit his head on a stone and died on the spot—she had seen his body, his cracked head. But she chose to believe Nonso was alive after he fell. She cried, howled, and cursed the day she set eyes on your father at the first exhibition of his work. Then she called him, you heard her shouting on the phone: Your mother is responsible! She panicked him and made him fall! She could have done something afterwards but instead she stood there like the stupid fetish African woman that she is and let him die!

Your father talked to you afterwards, and said he understood how hard it was for you but you had to be careful what you said so that you didn’t cause more hurt. And you thought about his words—Be careful what you say—and wondered if he knew you were lying.

That summer, eighteen years ago, was the summer of your first self-realization. The summer you knew that something had to happen to Nonso, so that you could survive. Even at ten you knew that some people can take up too much space by simply being, that by existing, some people can stifle others. The idea of scaring Nonso with the echi eteka was yours alone. But you explained it to Dozie, that you both needed Nonso to get hurt—maybe maim him, maybe twist his legs. You wanted to mar the perfection of his lithe body, to make him less lovable, less able to do all that he did. Less able to take up your space. Dozie said nothing and instead drew a picture of you with your eyes in the shape of stars.

Grandmama was inside cooking and Dozie was standing silently close to you, your shoulders touching, when you suggested Nonso climb to the top of the avocado tree. It was easy to get him to; you only had to remind him that you were the better climber. And you really were the better climber, you could scale a tree, any tree, in seconds—you were better at the things that did not need to be taught, the things that Grand mama could not teach him. You asked him to go first, to see if he could get to the topmost branch of the avocado before you followed. The branches were weak, and Nonso was heavier than you. Heavy from all the food Grandmama made him eat. Eat a little more, she would say often. Who do you think I made it for? As though you were not there. Sometimes she would pat your back and say in Igbo, It’s good you are learning, nne, this is how you will take care of your husband one day.

Nonso climbed the tree. Higher and higher. You waited till he was nearly at the top, till his legs hesitated before inching farther up. You waited for that short moment when he was between motions. An open moment, a moment you saw the blueness of everything, of life itself—the pure azure of one of your father’s paintings, of opportunity, of a sky washed clean by a morning

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