The Thirteen Problems - Agatha Christie [45]
‘I don’t understand,’ said Jane Helier. ‘Is that all? I mean, it’s very tragic, I suppose, but it isn’t—well, it isn’t what I call creepy.’
‘I think there’s more to follow,’ said Sir Henry.
‘Yes,’ said Dr Lloyd, ‘there’s more to follow. You see, right at the time there was one queer thing. Of course I asked questions of the fishermen, etc., as to what they’d seen. They were eye-witnesses. And one woman had rather a funny story. I didn’t pay any attention to it at the time, but it came back to me afterwards. She insisted, you see, that Miss Durrant wasn’t in difficulties when she called out. The other swam out to her and, according to this woman, deliberately held Miss Durrant’s head under water. I didn’t, as I say, pay much attention. It was such a fantastic story, and these things look so differently from the shore. Miss Barton might have tried to make her friend lose consciousness, realizing that the latter’s panic-stricken clutching would drown them both. You see, according to the Spanish woman’s story, it looked as though—well, as though Miss Barton was deliberately trying to drown her companion.
‘As I say, I paid very little attention to this story at the time. It came back to me later. Our great difficulty was to find out anything about this woman, Amy Durrant. She didn’t seem to have any relations. Miss Barton and I went through her things together. We found one address and wrote there, but it proved to be simply a room she had taken in which to keep her things. The landlady knew nothing, had only seen her when she took the room. Miss Durrant had remarked at the time that she always liked to have one place she could call her own to which she could return at any moment. There were one or two nice pieces of old furniture and some bound numbers of Academy pictures, and a trunk full of pieces of material bought at sales, but no personal belongings. She had mentioned to the landlady that her father and mother had died in India when she was a child and that she had been brought up by an uncle who was a clergyman, but she did not say if he was her father’s or her mother’s brother, so the name was no guide.
‘It wasn’t exactly mysterious, it was just unsatisfactory. There must be many lonely women, proud and reti-cent, in just that position. There were a couple of photographs amongst her belongings in Las Palmas—rather old and faded and they had been cut to fit the frames they were in, so that there was no photographer’s name upon them, and there was an old daguerreotype which might have been her mother or more probably her grandmother.
‘Miss Barton had had two references with her. One she had forgotten, the other name she recollected after an effort. It proved to be that of a lady who was now abroad, having gone to Australia. She was written to. Her answer, of course, was a long time in coming, and I may say that when it did arrive there was no particular help to be gained from it. She said Miss Durrant had been with her as companion and had been most efficient and that she was a very charming woman, but that she knew nothing of her private affairs or relations.
‘So there it was—as I say, nothing unusual, really. It was just the two things together that aroused my uneasiness. This Amy Durrant of whom no one knew anything, and the Spanish woman’s queer story. Yes, and I’ll add a third thing: When I was first bending over the body and Miss Barton was walking away towards the huts, she looked back. Looked back with an expression on her face that I can only describe as one of poignant anxiety—a kind of anguished uncertainty that imprinted itself on my brain.
‘It didn’t strike me as anything unusual at the time. I put it down to her terrible distress over her friend. But, you see, later I realized that they weren’t on those terms. There was no devoted attachment between them, no terrible grief. Miss Barton was fond of Amy Durrant and shocked by her death—that was all.
‘But, then, why that terrible poignant anxiety? That was the